Edited by Tod Lippy. Essays "50 Frames: Peter Hutton's At Sea (2007): Stills from the acclaimed experimental filmmaker's latest-and possibly best-film," by Scott MacDonald; "Daily Reminders: Lunchbox notes-spanning 15 years-from a father to his two children," by Robert Guest; "New Voices: "Plate Tectonics": Fifth in our series of fiction by never-before-publishing authors," by Lesley Clayton; "Doug McNamara's Biobiversions: This business analyst-and former biology teacher-combines science and fiction in drawings seen here for the first time," by Tod Lippy; "The Desert: An excerpt from the poet and artist's forthcoming sewn poem, based on a fascimile of John Van Dyke's The Desert," by Jen Bervin; "Modern Artifacts: Drawing Comparisons: The latest installment in a series presented with the MoMA archives features sketches by former director René d'Harnoncourt," by Michelle Elligott; "Guarded Opinions: A museum guard from the Corcoran Gallery of Art offers his take on a Monet landscape from 1885," by Berhanu Taffa; "Esopus CD #10: Good News. ... [details]
Exhibition catalogue published in conjunction with show held at the Mead Art Museum, Amherst, Massachusetts, February 1 - June 1, 2003. Traveled to the Mason Gross Art Galleries, New Brunswick, New Jersey, September 29 - November 5, 2003. ... [details]
Exhibition catalogue published in conjunction with film retrospective held October 11 - 26, 1994. Essay by Scott MacDonald. [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
Catalogue published in honor of the collection of American art held at the Columbus Museum of Art, Columbus, Ohio. With contributions by William C. Agee, John I.H. Baur, Doreen Bolger, Nannette V. Maciejunes, E. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "Double Vision in Space City: 'The Houston School' of Barbara Rose and Susie Kalil; William Camfield's Houston Artists," by Thomas McEvilley; "American Medical Association," a project by Ida Applebroog; "Robert Morris, a Saint Jerome for Our Times," by Carter Ratcliff; "Richard Wentworth's Ad Hoc Esthetics," by Stuart Morgan; "Robert Smithson's Early Work - A Resurrection," by Stuart Morgan; "What's Natural?," A Conversation between Joseph Love and Jo Kondo; "American Prayers," by Kim Gordon; "John Duff's perfect Sculpture," by Donald Kuspit; "Endless Meaning at the Hirshhorn," by Roberta Smith; "Corrupting the Absolute," by Greil Marcus. ... [details]
Exhibition catalogue published in conjunction with show held June 28 - August 24, 1985. Essay by Joshua Decter and David Laurie, with contributions by David Clark, Vicente Todoli, Mary-Katherine Weatherford. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy," by Annette Michelson; "Cinematographic Views," by Georges Méliès; "A Picturesque Stroll around Clara-Clara," by Yve-Alain Bois; "The Index of the Absent Wound (Monograph on a Stain)," by Georges Didi-Huberman; "Interview with Jonas Mekas," by Scott MacDonald; "On First Hearing about Hermeneutics," by Joseph Rykwert. [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]