Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. ... [details]
March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
December 1974 issue of Studio International with a cover specially designed for this issue by Kurt Kranz. Edited by Peter Townsend. Contents include: "American painting and British painting: some issues," by Terry Smith; "Two Recent Works," by Douglas Huebler; "Road-digging and aestheticism: Oxford in 1874," by Tim Hilton; "William Scott in conversation with Tony Rothon;" "What sculpture is 1 & 2," by William Tucker; "Agnes Denes: analytical works;" "The mechanism of control and unofficial art in the USSR," by Igor Golomshtock; "NSCAD prints," by Eric Cameron; "Review;" and "Guide to publisher's, presses and galleries dealing in graphics. ... [details]
May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. ... [details]
Exhibition catalogue published in conjunction with show held November 20, 1974 - April 1, 1975. Text by Marty Dunn, Peggy Gale, and Gary Neill Kennedy and artist's statements. Artists include David Askevold, Dana W. ... [details]
Exhibition catalogue published in conjunction with show held March 30 - April 27, 1980. With foreword by Adele Myers, introduction by Roger Howrigan, curator, and essay by Linda Nochlin. Artists include Temma Bell, Sam Cady, Richard Crozier, Rackstraw Downes, Biff Elrod, Martha Mayer Erlebacher, Alan Feltus, Janet Fish, Gregory Gillespie, Richard Haas, Nancy Hagin, William L. ... [details]
January 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Pay at the turnstile;" "A Policy for the arts," by Lord Eccles talks to Edward Lucie-Smith; "Kokoschka's early work," a conversation between the artist and Wolfgang Fischer; "Correspondence;" "News and Notes;" "Leger's city, and Atget's," by Jonathan Benthall; "The Vienna Secession and its early relations with Great Britain," by Horst-Herbert Kossatz; "Ends and Beginnings: Viennese art at the turn of the century," by Frank Whitford; "Four sculptors (part 4): David Smith," by William Tucker; "Art on TV," by Charles Harrison; "Forces against object-based art," by Andrew Forge; and "New York commentary: Downtown, Uptown, all around the town," by Dore Ashton. ... [details]
July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. ... [details]
November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP; "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. [details]
