Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
Issue edited by Joseph Masheck. Essays "Johns the Pessimist," by Rolf-Dieter Herrmann; "Cézanne on Solids and Spaces," by Theodore Reff; "Back on the Material: Rodchenko's Photographic Ideology," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Oskar Schlemmer's Performance Art," by RoseLee Goldberg; "Art Criticism: Where's the Depth?" by Donald B. Kuspit; "Richard Foreman's 'Book of Levers,'" by Peter Frank; "Gustave Courbet: All the World's a Studio," by Alex Seltzer; "Madness in the Arena," by Nicolas Calas; 'Eva Hesse,' Book Review," by Jeff Perrone; "A View of Kassel," by David Shapiro; "Alice Aycock: Mystery Under Construction," by Margaret Sheffield; "The Private and the Public: Feminist Art in California," by Martha Rosler. ... [details]
Issue edited by Joseph Masheck. Essays "American Women Architects," by John Lobell; "'Words': When Art Takes a Rest," by Jeff Perrone; "The Icon and Russian Modernism," by Margaret Betz; "Donald Judd: Past Theory," by Kenneth Baker; "Terry Fox Meanders," by Knute Stiles; "Outerbridge from Cubism to Fetishism," by Graham Howe; "Cruciformality," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Minimalism and Critical Response," by Phyllis Tuchman; "Clyfford Still: The Ethics of Art," by Donald B. Kuspit; "Notes on Narrative and History Painting," by Sidney Tillim; "On George Segal's Reliefs," by Leo Rubinfien; "Snelson and Structure," by Deborah Perlberg; "Garry Kennedy: Painting Painting Itself," by Eric Cameron; "Shape and Form in Ron Gorchov's Painting," by Morris Kearse; "Ensor in His Milieu," by Diane Lesko. ... [details]