Two volume exhibition catalogue published in conjunction with the second Berlin Biennial held at the KW Institute for Contemporary Art, the Postfuhramt, the S-Bahn arches in the Jannowitzbrücke and the Allianz-Treptowers, April 20 - June 20, 2001. ... [details]
A quaint artists' book in flip-book format that pictures a young Gilbert & George smoking a cigarette aside a river. Originally photographed in 1972, realized, and edited by Hans Ulrich Obrist, in 1996. [details]
Artist's book / exhibition catalogue published in conjunction with show held at Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany. Traveled to Kunsthalle Wien, Vienna, Austria ; Kunsthalle Zürich, Zürich, Switzerland. ... [details]
Exhibition catalogue published in conjunction with show held February 12 - April 25, 1999. Essays by Zdenek Felix, Rudolf Schmitz and Veit Loers. Includes bibliography and artist's exhibition history. ... [details]
A quaint artists' book in flip-book format that pictures a young Gilbert & George descending a staircase. "This work was first published in 1972 as a catalogue of the Kunstmuseum Lucerne." [details]
Exhibition catalogue published in conjunction with show held at Kunsthalle Zürich, June 5 -August 8, 1993. Texts by Tatsuo Miyajima, Luk Lambrecht and Louise Neri with an interview with the artist by Bernhard Bürgi. ... [details]
Artists' book / flip-book by master of the artists' book, John Baldessari. Edited by Hans-Ulrich Obrist. An entertaining flip book with pictures combining portraits of Humphrey Bogart, Jean-Paul Belmondo, Zorro, and plays with idea of film stereotypes and media models. [details]
Artists' book designed by Pae White and published in conjunction with show held October 10, 1999 - January 9, 2000. [details]
Exhibition catalogue published in conjunction with show held at Sta¨dtisches Museum Abteiberg, Mo¨nchengladbach, February 2 - April 20, 1997. Texts by Michael Krebber, Joachim Lottmann and Günther Förg. ... [details]
"Zabriskie Point (1970) was, by all accounts, the bomb that almost sunk Michelangelo Antonioni's film career, but the pop music soundtrack became famous and the film contained, in the climactic scene with the exploding desert house, the blueprint for subsequent MTV-style music videos, which may or many not be a good thing. ... [details]
