Issue edited by Bice Curiger. Essays "Vija Celmins," by Sheena Wagstaff; "Larry Clark: What Is This?," by Jim Lewis; "Working With Success - Working With Unsuccess," by Rudolf Bumiller; "Imi Knoebel and Grace Kelly: The High," by Rainer Crone / David Moos; "Imi Knoebel First Impressions," by Lisa Liebmann; "The Transgressions of Sherrie Levine," by Daniela Salvioni; "Presence Withdrawn," by Erich Franz; "Looking After Sherrie Levine," by Howard Singerman; "Making Work And Turning York Back On It: Bethan Huws," by Liam Gillick; "The Work of Art as the Ideal Center for Human Beings Walter De Maria's the 2000 Sculpture," by Thomas Kellein; "Les Infos Du Paradis," by International Time Capsule Society; "Cumulus From America," by Ralph Rugoff; "Cumulus Aus Europa," by Robert Fleck; "Balkon," by Jeanne Silverthorne. ... [details]
Issue edited by Bice Curiger. Essays "Photographs By Wols," by Jan Thorn-Prikker; "Wacky Molière Lines: A Listener's Guide To Ed-Werd Rew-Shay," by Dave Hickey; "Standard Bullshit," by Dennis Hopper; "Edward Ruscha: A Distant World," by Alain Cueff; "The Mnemonic Book: Ed Ruscha's Fugitive Publications," by John Miller; "Against Type: The Silhouette Paintings Of Edward Ruscha," by Christopher Knight; "Tony Cragg: Darking Light," by Lynne Cooke; "'I Hate To Think' The New Paintings Of Julian Schnabel," by Brooks Adams; "Les Infos Du Paradis: Parkett Inquiry, The Artist As A Model Sufferer?," by unattributed artists; "Cumulus From America," by Lucio Pozzi; "Cumulus Aus Europa," by Bernard Blistène; "Balkon: Sigmar Polkes Thermosensible Wandmalerei," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "Marie José Burki: Das Zittern der Dinge," by Daniel Kurjakovic; "Peter Hujar," by Nan Goldin; "Vija Celmins: Material Fictions," by Nancy Princenthal; "Night, Sleep, Death and the Stars," by Jim Lewis; "Vija Celmins in conversation with Jeanne Silverthorne," by Vija Celmins; "Vija Celmins' Play of Imitation," by Richard Shiff; "On the Melancholy of Vantage Points," by Jean-Pierre Criqui; "Andreas Gursky: Painter of New Theaters of Action," by Jacqueline Burckhardt; "Brasilia: Vanishing Points," by Neville Wakefield; "How Familiar is it?," by Collier Schorr; "Guess Who's Coming to Dinner," by Alexandre Melo; "Forget about the Ball and Get on with the Game," by Liam Gillick and Rirkrit Tiravanija; "En route," by Richard Flood and Rochelle Steiner; "Micromegas," by Lynne Cooke; "The Trap Slams Shut: Andreas Slominski," by Noemi Smolik; "Jean Painlevé and Mark Dion; "A Wordscape. ... [details]
Issue edited by Bice Curiger. Essays "Eye And I: Bill Viola's Double Vision," by Michael Nash; "Spleen And Ideal," by Stephen Ellis; "Tim Rollins," by Tim Rollins + K.O.S.; "Can These Ruins Live?," by Marshall Berman; "Dialogue 5," "Edition For Parkett," by unattributed artists; "'We Make The Future Tense,'" by Trevor Fairbrother; "Statements," by unattributed artists; "Space Travel With Trisha Brown," by Klaus Kertess; "Les Infos Du Paradis: Architecture by Herzog & De Meuron," by Theodora Vischer / Jacques Herzog; "Cumulus From Amerika," by Joan Acocella; "Cumulus Aus Europa," by Dieter Schwarz; "Balkon: Getting It Exactly Wrong, Andy's Kindergarten From Connoisseurs," by Dave Hickey. ... [details]
Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. ... [details]
Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya. ... [details]
Issue edited by Bice Curiger. Essays "When You Offer Stones You Get Stones," by Edward Leffingwell and Lawrence Weiner; "François Boucher," by Andrei Kowaljow; "On The Sigmar Polke Retrospective In The U. ... [details]
Issue edited by Bice Curiger. Essays "Scott Burton," by Nancy Princenthal; "Contributions By: Jeanne Silberthorne, Patrick Frey, Rein Wolfs, Chris Dercon, Robert Storr," by Bruce Nauman; "Daredevil - Narrative Strategies In Everyday Myths," by Michael Fitzgerald and Justen Ladda; "Hanne Darboven - Or The Dimension Of Time And Culture," by Jean-Pierre Bordaz; "For Enzo Cucchi's Exhibition At The Guggenheim-Museum, New York, Spring 1986," by Mario Diacono; "Les Infos Du Paradis, The Reina Sofia Art Center, Madrid," by Francisco Calvo Serraller; "Cumulus Von Europa," by Annelie Pohlen; "Cumulus From America," by Richard Armstrong; "Mario Botta in Conversation With Bice Curiger," by Mario Botta. ... [details]