Issue edited by Frances Colpitt. Contents include "The Importance of Permanence," by Donald Judd; "Intentional Acts of Identification : Legrady and Maclay," by Mark Johnstone; "Mr. Smith Goes to the Airport," by Michael Smith; Bruce Nauman Interview with Bob Smith; " Magnificent Obsession : The Drawings of David Smith," by Sally Ruth Bourrie; "Anthony Caro's Emma Lake Sculptures," by Phyllis Tuchman; "The Activity Art of Allan Kaprow and the Notion of Functional Sculpture," by Dan Giesler; "Context : Light and Space as Art," by Jan Butterfield; Artists' Pages by Greg Card, Henk Elenga, Jim Pomeroy, Chauncey Joe Stromie, James Alan Ganzer; artists' biographies, and Colson's Corner. [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. ... [details]
May 1982 issue of Artforum, edited by Ingrid Sischy. Contents: "Man Ray's Early Paintings 1913-1916: Theory and Practice in the Art of Two Dimensions," by Francis Naumann; "Pat Steir and the Science of the Admirable," by Ted Castle; "The Candidate: Photographs by Pedro Meyer"; "Portraits: Necrophilia, Mon Amour," by Joseph Kosuth; "Portraits: Section 2," by Lawrence Weiner; "Portraits: Impassioned with Some Song We," by Kathy Acker; "Portraits of Joseph Kosuth, Lawrence Weiner, and Kathy Acker," by Robert Mapplethorpe; "The Sounds of Violence: Max Neuhaus' Siren Project," by Nancy Princenthal; "Sabotage or Trophy? Advance or Retreat?" by Douglas Huebler; "Books: Clive Phillpot on 'Real Lush,'" by Clive Phillpot; "Reviews," by Richard Flood, Kate Linker, Joan Casademont, Colin Westerbeck, Donald Kuspit, Barbara Kruger, Thomas Lawson, Jamey Gambrell, Judith Russi Kirshner, Richard Armstrong, Stuart Morgan, Xavier Girard, and Annelie Pohlen. ... [details]
Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. ... [details]
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
Fall 1982 of the tri-quarterly art journal U-Turn, edited by James Hugunin. Contents include "Musings on a Mechanical Muse," by Emily Hicks; "Crash Course in Mellow Drama," by James Hugunin; "Eileen Cowan;" and "Maimed Molodrama," by Dwight Chrissmass. ... [details]
Exhibition catalogue published in conjunction with show held at The New Gallery for Contemporary Art, Cleveland, OH, December 11, 1981 - January 16, 1982. Traveled to: The Gibbes Art Gallery, Charleston, SC, May 19, 1982 - September 5, 1982; The Hudson River Museum, Yonkers, New York, July 25, 1982 - September 5, 1982; USF Art Galleries, University of South Florida, Tampa, FL, April 8, 1983 - August 7, 1983; Alberta College of Art Gallery, Calgary, Alberta, Vanada, November 15, 1983 - December 15, 1983; and Pensacola Museum of Art, Pensacola, FL, March 1984 - April 1984. ... [details]
Critical theory book about Robert Rauschenberg and the artworld of 1950s and 1960s New York by Calvin Tomkins. Illustrated in black-and-white. Includes an appendix and index. "Calvin Tomkins, cultural connoisseur and best-selling author of Living Well Is the Best Revenge," celebrates one of the most fascinating and adventurous art crowds in history - and a high point in American art - in Off the Wall. ... [details]
Exhibition catalogue published in conjunction with show held in 1982. Includes biography, selected exhibitions, checklist, and a slipped-in price list. [details]