A memorial project documenting 72 postcard works by Fine. A string-tie folder containing a stack of index-card size cards of texts and reproductions of mail art works. Contributions by Eric Andersen, Michael Andre, John Cage, Buster Cleveland, R. ... [details]
Forty-nine postcards (one for each artist + title card), laid in cardboard box. Includes images by Vito Acconci, Mac Adams, Eleanor Antin, John Jack Baylin, Jeff Berner, G.A. Cavellini, James Collins, Diego Cortez and Katharina Sieverding, Coum Transmissions, Robin Lee Crutchfield, Robert Cumming, Dadaland, Peter Daglish, Lowell Darling, Jimmy de Sana, Mario Diacono, Robert Filliou, Hervé Fischer, Charles Henri Ford, General Idea, Geoffrey Hendricks, Dick Higgins, Davi Det Hompson, Victor Hugo, Peter Hujar, Ray Johnson, Allen Jones, Marcel Just, Alison Knowles, Richard Kostelanetz, Les Levine, Glenn Lewis, Sol LeWitt, Robert Mapplethorpe, Gordon Matta-Clark, Eric Metcalfe, Michael Morris, Hermann Nitsch, Footsy Nutzle, Tom Phillips, Yvonne Rainer, Clive Robertson, Edward Ruscha, Willoughby Sharp, Vincent Trasov a. ... [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
Anthology of writings and artworks previously published by Dick Higgin''s Something Else Press, gathered and edited in 1972 (though unpublished), and presented for the first time here in print in this Primary Information published 2022 edition. ... [details]
Annual catalogue published in 2008. Contains 35 works in a full color plate presentation from Robert Beauchamp, Peter Busa, Jo Cain, Edward Corbett, Edwin Dickinson, Maitland De Gogorza, Nanno de Groot, Dorothy Eisner, T. ... [details]
Critical review of art of the 1980s by Barbara Rose illustrated with portraits of the artists alongside an image of one of their works, and statements by the artists. Portrait photographs by Steven Sloman. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Nan Richardson. Includes: Photo essays often paired with texts: "Peter Morello: Remembrance Day" with "Heroes," by Glenn O'Brien; "John Baldessari: The Hero," with "Hero Negative," by Edward Limonov; "Tseng Kwong Chi: Monuments and Natural Wonders;" "Bill Burke: I want to Take Picture," with an interview with Burke by Willis Hartshorn; "David Levinthal: The West," with "Property, Patriotism and the National Defense," by Wendell Berry; "Mark Chambers," with "Armed Forces," by Erika Beckman; "Stephen Frailey;" "Larry Johnson," with "Stars and Stardom," by David Robbins; "The Labor of Psyche," by Lee Edwards, Photographs by Minnette Lehmann, Barbara Kruger, Annette Lemieux and Julie Ault; "Jeff Weiss;" "The Starn Twins," with "The Hero Cycle," by Bruce Chatwin; "Richard Baim;" "Clegg & Guttman;" "Krzystof Wodiczko," with "The Fascist Guns in the West," by J. ... [details]
A survey of contemporary architecture published in 1982. "Anyone interested in sorting out the diversities and complexities of contemporary architecture - and in speculating on the future shape of contemporary architecture - and in speculating on the future shape of our homes and cities - will enjoy this spirited, up-to-the-minute book. ... [details]
"Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. ... [details]
