Single-sided poster produced in conjunction with show held February 14 - March 13, 1973. Design by B. Martin Pedersen. [details]
A simple 'zine style publication featuring first [?] publication of excerpt from Acker's "Blood and Guts in Highschool," [sic.] as well as short prose by Barbara Baracks, Ira Joel Haber, John Perreault. [details]
Periodical with contributions by Vito Acconci, Arakawa, Scott Burton, Rosemarie Castro, Madeline Gins, John Giorno, Bobbi Gormley, Matthw Klein, Abraham Lubelski, Bernadette Mayer, John Perreault, Gregory Battcock, James Lee Byars, Eduardo Costa, Bill Creston, Stephen Kaltenbach, Les Levine, Lucy Lippard, Meridith Monk, Marjorie Strider, Mr. ... [details]
Exhibition catalogue published in conjunction with show held at the Allen Art Museum, Oberlin College, Ohio, April 17 - May 12, 1970. Introduction by Athena T. Spear. Artists include Vito Acconci, Siah Armajani, Michael Asher, John Baldessari, Robert Barry, Frederick Barthelme, Bill Beckley, Mel Bochner, Jonathan Borofsky, George Brecht, Victor Burgin, Donald Burgy, Ian Burn, Scott Burton, James Lee Byars, Luis Camnitzer, Rosemarie Castoro, Don Celender, Fred Cornell Cone, Christpher Cook, Eduardo Costa, Robert Cumming, Roger Cutforth, Royce Dendler, David Dunlap, David Eisler, Robert Feke, Rafael Ferrer, George Gladstone, Dan Graham, Ira Joel Haber, Richards Jarden, On Kawara, Michael Kirby, Paul Kos, Joseph Kosuth, R. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]
Issue edited by Ida Panicelli. Essays "Appetizer: Book Preview of 'Venus in Furs,'" by Leopold von Sacher-Masoch; "Curies Children: Vilem Flusser on Discovery," by Vilem Flusser; "Special Effects: Carol Squiers on the News and its Pictures," by Carol Squiers; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Folio: Barbara Moore on Artists' Publications," by Barbara Moore; "Books: Daniel Soutif on L'Art Africain," by Daniel Soutif; "Dona Nelson's Time Pieces," by Lisa Liebmann; "The Closed Book : A Project for Artforum," by Michelangelo Pistoletto, photography by Ari Marcopoulos; "Franz West: The Antibody to Anti-Body," by Helmut Draxler; "Houses by Thomas Ruff"; "Through a Glass Darkly," by John Perreault; "Karen Finley's Poisoned Meatloaf," by Maria Nadotti; "Domestic Science," by Charles V. ... [details]
Issue edited by Jack Bankowsky. Essays "Slant: Ronald Jones on 'Black Like Who?,'" by Ronald Jones; "Museum Piece: Wayne Koestenbaum on Vanessa Beecroft," by Wayne koestenbaum; "Hot List," by Simon Lamunière; "Hot List: David Frankel on Rirkrit Tiravanija," by David Frankel; "Passages: Barbara Rose on Richard Bellamy," by Barbara Rose; "Music: Ben Ratliff on Tony Conrad," by Ben Ratliff; "Music: Glenn O'Brien on John Lurie," by Glenn O'Brien; "Top Ten," by Peter Halley; "Giorgio Verzotti on the New School of Milan," by Giorgio Verzotti; "Gabriele Guercio on Spazio Aperto," by Gabriele Guercio; "Marco Meneguzzo on Casina Pompeiana," by Marco Meneguzzo; "A Tree Grows in SoHo: Alex Katz's 'Blue,'" by Tom Breidenbach; "Robert Smithson: 'The Monuments of Passaic,' 1967," by Luc Sante; "Surf and Turf: LA Art Schools," by Andrew Hultkrans; "A Thousand Words: Gabriel Orozco Talks About His Films," by Daniel Birnbaum; "Covering the Spread: Vincent Gallo's 'Buffalo '66,'" by Dale Peck; "Openings: Tomoko Takahashi," by Louisa Buck. ... [details]
Prospectus for a portfolio of fourteen aquatints by Alex Katz each accompanied by a poem. Poems by Ted Barrigan, Kenward Elmslie, John Godfrey, Ted Greenwald, Michael Lally, Ann Lauterbach, Gerard Malanga, Alice Notley, John Perreault, Carter Ratcliff, Rene Ricard, Peter Schjeldahl, Tony Towle, and Bill Zavatsky. [details]
