Exhibition catalogue published in conjunction with Prospect 71 held in 1971. Artists included are : Konrad Fischer, Jürgen Harten, Hans Strelow, Vito Acconci, Bas Jan Ader, John Baldessari, Robert Barry, Bernhard and Hilla Becher, Ben, Joseph Beuys, Claus Böhmler, Christian Boltanski, Ian Breakwell, KP Brehmer, Stig Broegger, Marcel Broodthaers, Stanley Brouwn, Victor Burgin, John Chamberlain, Chuck Close, Roger Cutforth, Hanne Darboven, Walter de Maria, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Terry Fox, Hollis Frampton, Howard Fried, Hamish Fulton, Gilbert & George, Dan Graham, Nancy Stevenson Graves, Hans Haacke, David Hall, Richard Hamilton, Michael Heizer, John Hilliard, K H Hödicke, Robert Huot, Lee Jaffee, Wolf Knoebel, Ferdinand Kriwet, David Lamelas, John Latham, Barry Le Va, Les Levine, Bruce McLean, Mario Merz, Tony Morgan, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, A. ... [details]
Volume two of the two-volume catalogue published in conjunction with exhibition at Sonsbeek Park, Arnhem, June 19 - August 15, 1971. Includes supplementary information for Part 1, as well as a bibliography of exhibition documentation. ... [details]
First volume of the two-volume catalogue published in conjunction with exhibition held at Sonsbeek Park, Arnhem, June 19 - August 15, 1971. Sonsbeek Park had been the site of international sculpture exhibitions periodically from 1949. ... [details]
Autumn 2006 issue of Tate Etc. Contributions by Dan Graham, Brian Dillon, Vincent Katz, Jan Avgikos, Ryan Gander, Patrick Frey, Michael Onfray, Jenny Uglow, Chuck Close, George Carey, Derek Wilson, Christopher Turner, Will Self, Rose Hilton, Anthony Frost, Andrew Lanyon, Michael Bird, Deborah Jowitt, Rebecca Smith, Candida Smith, Francis Wells, Alexa de Ferranti, Desmond Morris, Dan Hays, and John Burnside. [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
"Throughout the more than fifty years of his prolific career, Fernand Léger, one of the most influential of twentieth-century painters, wrote enthusiastic, lucid essays to explain his theories about the purposes of art, which he believed had an important role to play in modern life - not as decoration but as an embodiment of the modern spirit on all levels of society. ... [details]
Irregularly issued artists' periodical of writings and artists' projects. Contributions by Angelo Savelli, Robert Indiana, Robert Motherwell, David Smyth, Will Insley, Sol LeWitt, Mario Yrissary, Barnett Newman, Gino Severini, Alberto Giacometti, Frank O'Hara, Larry Rivers, Adolf Wölfli, Ad Reinhardt, Peter Hutchinson, May Stevens, Frnacis Picabia, Saul Baizerman, Rosemarie Castoro, Jean Dubuffet, Michael Goldberg, Jean Dubuffet, Rosalind Hodkins, Joseph Cornell, Sari Dienes, David Hare, Oyvind Fahlstrom, Piero Dorazio, Roger Welch, William Tucker, Barbara Kruger, Elyssa Rundle, Peter Plagens, Eugene Kayser, Richard Kostelanetz, Robert De Niro, A. ... [details]
Issue edited by Herbert George. Essays "Excerpts from a Journal," by Frank Moore; "The Pontiac Streak," by Michael Robbins; "Art Delinquency Notes," by Tony Rickaby; "Passages," by Rosemary Mayer; "Chicago," by Barbara Kruger; "She Makes The Wrong Choices," by Barbara Kruger; "Eleven Conversations," by Richard Prince; "Cold Oracle," by Robert Morris; "Billy Builder, or The Painfull Machine," by Carl Andre; "Dancing With Grandin," by Harriet Shorr; "Post-Modernist Painting," by Rackstraw Downes; "PICKUP and How To Get or Keep a Job," by Steven Low; "Manifesto on Behalf of the Toupiniquins or Nambas," by Mario Pedrosa. ... [details]