Monograph on Marcel Duchamp focusing on the context, significance, and meaning of his piece "The Bride Stripped Bare by Her Bachelors, Even" written by John Golding. Includes a historical table, notes, a bibliographical note, list of illustrations, and index. ... [details]
Exhibition catalogue published in conjunction with traveling show held in 1973. Edited by Anne d'Harnoncourt and Kynaston McShine. Written contributions by Michel Sanouillet, Richard Hamilton, Lawrence D. ... [details]
Exhibition catalogue published in conjunction with show held at the Philadelphia Museum of Art, September 22 - November 11, 1973. Traveled to The Museum of Modern Art, New York, December 3, 1973 - February 10, 1974; and The Art Institute of Chicago, March 9 - April 21, 1974. ... [details]
Double sided announcement card published in conjunction with show opening November 24, 1973. [details]
Prospectus for a multiple by Marcel Duchamp in cooperation with Man Ray published by Arturo Schwarz in a "numbered edition of ten copies signed by Man Ray and Mrs. Marcel Duchamp" utilizing "two original frames still surviving" from the film. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "End of an Era," by Dore Ashton; "Humanism and Reality - Thek and Warhol," by Battcock; "Jasper Johns: Stories and Ideas," by John Cage; "The Creative Act," by Marcel Duchamp; "The Art Audience and the Critic," by Henry Geldzahler; "Th Big Canvas," by E. ... [details]
Compendium of writings by Marcel Duchamp. Edited by Michel Sanouillet and Elmer Peterson. Includes a literary chronology, an introduction, and bibliography. Illustrated in black-and-white. [details]
Two-sided poster / newspaper / handbill produced in conjunction with Duchamp retrospective held at Philadelphia Museum of Art and The Museum of Modern Art, New York. Printed on newsprint this poster is replete with reprinted stories about Duchamp's "Nude Descending a Staircase" at the Armory Show from The New York Times, March 16, 1913 to his obituary in October 1968. ... [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
"In the '20s the Surrealists proclaimed that words had stopped playing around and begun to make love. Noewhere is this more apparent than in the writings of Marcel Duchamp, who fashioned some of the most joyous and ingenious couplings and uncouplins in modern art. ... [details]