Poster published in conjunction with installation held April 28 - May 5, 1974. Dream House was "a time installation measured by a continuous frequency environment in sound and light with singing and instrumental performances by The Theatre of Eternal Music" (Marian Zazeela, La Monte Young, Alex Dea, Jon Hassell, David Rosenboom, De Tracia Evans, Peter Moncure, Michael Anander, Barbara Stewart, Yoshimasa Wada, Robert Adler, David Cremin, Kurt Munkacsi). ... [details]
Exhibition catalogue within ring binder published in conjunction with show held in 1974. Texts by René Berger, Jole De Sanna. Includes project descriptions and images from artists in exhibition including Allan Kaprow, Denis Oppenheim, Vito Acconci, Vincenzo Agnetti, Gianni Colombo, Eric Andersen, Eleanor Antin, Mike Barnard, David Green, Rene Bauermeister, Christian Boltanski, Trisha Brown, Paolo Pier Calzolari, Groupe Cap, Center of Art and Communication Third World Editions , Giuseppe Chiari, Andrea Daninos, Douglas Davis, Tom Dean, Dimitri Devyatkine, Antonio Dias, Nusa & Sreco Dragan, Don Druick, Bill & Louise Etra, Valie Export, Luciano Fabro, Herve Fischer, Fred Forest, Simone Forti, Jochen Gerz, Luciano Giaccari, Paul Goede, Dan Graham, Group of the Thirteen, Group of the Thirteen - Center of Art and Communication, William Gwin, Warner Jepson, Bruce W. ... [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Critical anthology of essays on the Experiments in Art and Technology [EAT] Pavilion at Expo '70 in Osaka, Japan. Edited by Billy Klüver, Julie Martin, and Barbara Rose. Essays "The Pavillion," by Billy Klüver; "Into the Collaboration," by Nilo Lindgren; "Art as Experience, Environment, Process," by Barbara Rose; "Outside Art," by Calvin Tomkins; "An Overview," by Elsa Garmire; "Making of 'Fog' or Low-Hanging Stratus Cloud," by Fujiko Nakaya; "Notes and Comments on Clouds and Fog," by Thomas R. ... [details]
Exhibition catalogue for show held June 23 - July 9, 1972. Text by Barbara Rose. Features works by artists represented by the four galleries of 420 West Broadway, New York: Leo Castelli, André Emmerich, Sonnabend, John Weber. ... [details]
Review of Documenta 5. [details]
Issue edited by Philip Leider. Essays "Bochner at MOMA: Three Ideas and Seven Procedures," by Robert Pincus-Witten; "Color, Culture, The Stations: Notes on the Barnett Newman Memorial Exhibition," by Lawrence Alloway; "Stella's New Work and the Problem of Series," by Rosalind Krauss; "Thomas Bang," by Kenneth Baker; "Mondrian, Newman, Noland: Two Notes on Changes of Style," by John Elderfield; "Mondrian in New York," by Barbara Rose; "Four Short Essays on Vuillard," by Max Kozloff; "Meaning in the Art of Duchamp (Part I)," by Willis Domingo. ... [details]
Issue edited by Philip Leider. Essays "Harlequins, Saltimbanques, Clowns, and Fools," by Theodore Reff; "Picasso: Drawing as if to Possess," by Leo Steinberg; "Sonsbeek: Speculations, Impressions," by Kasha Linville; "Quality in Louis," by Barbara Rose; "The 'Art and Technology' Exhibition at the Los Angeles County Museum (Two Views) Corporate Art," by Jack Burnham; "The Multimillion Dollar Art Boondoggle," by Max Kozloff; "Keith Sonnier at the Modern," by Kenneth Baker; "Anglo-American Standard Reference Works: Acute Conceptualism," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "Looking at the Guggenheim International," by James Monte; "Ron Davis at Castelli," by John Elderfield; "Unconventional Realists, Part II: Sculpture," by Gabriel Laderman; "A Meditation on Painting," by Peter Plagens; "Sound Architecture," by Bernard Leitner; "A Conversation with Gene Davis," by Barbara Rose; "Unveiling the Consort, Part I," by Jack Burnham. ... [details]