Issue number 9 of ZG Magazine, edited by Rosetta Brooks. Contents include: "My Death, My Life by Pier Paulo Pasolini," an Extract from New York writer Kathy Acker's New Novel; "You No Wanna Dadda" by Barbara Kruger; "Rock Videos: Another World," By Michael Boodro; "Twin Desires: The Art of Troy Brauntuch, David Salle, Jack Goldstein," by Merope Lolis; "Seeing and Believing," by Jonathan Miles; "Junk Culture: The Uses of Affluence," by Brian Hatton; "Before the Storm: Two Interviews with Eric Bogosian," interviews by Howard Halle, co-edited with Amy Lowe, and by Steve Roeser; "Fashion Fictions: Absence and the Fast Heartbeat," by Dena Shottenkirk; "George is Dead: Boys from the Blacckstuff: A British T. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Issue no. 7 of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "New York / Paris," by Barre Phillips; "Jazz Visuals," by Arthur Beatty; "a Pierre et Marie," by Claude Gintz; "Pointed Portraits," by Chalkie Davis, Paula Court, Robert Mapplethorpe, and Philippe Cazal; "Pina Bausch;" "Ingrid Caven;" "Richard Foreman;" "Honneur, Puissance et Amour des Femmes," by Craig Owens; "Willy Ronis;" "Figuration: Libre?," by Remy Blanchard, Calum Fraser, Louis Jammes; "Entre Chien et Loup," by Aude Bodet; "Portfolio: Originaux," Jean Goussebaire-Dupin, Bernard Frize, Daniel Buren, Gerard Garouste, Sarkis, Joan Logue, and Bill Woodrow; "Malcolm Morley;" "Dialogue: Bernard Lamarche-Vadel;" "Richard Prince;" "Robert Kramer;" "John Fekner;" "Jean Jacques Schuhl;" "Jacques Minnasian;" and "Lizzie," by Eve Zheim. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
Summer 1983 issue of Effects edited by Tricia Collins and Richard Milazzo. Contributions by Geralyn Donohue, David Salle, Joan Wallace, Troy Brauntuch, Barbara Kruger, Mark Innerst, Richard Prince, Ericka Beckman, Jack Goldstein, Gretchen Bender, Ross Bleckner, Louise Lawler, Allan McCollum, Peter Nagy, Tyler Turkle, Steven Parrino, Tricia Collins, and Richard Milazzo. ... [details]
Exhibition catalogue published in conjunction with show held April 10 - June 5, 1983. Interview with Alana Heiss. Includes selected one-man exhibitions, selected group exhibitions and selected public collections. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]