Issue edited by Philip Leider. Essays "Roy Lichtenstein at the Guggenheim," by Max Kozloff; "Place and Process," by Willoughby Sharp; "The origins of Ray Gun, " by Barbara Rose; "The Partial Figure," by Albert Elsen; "557,087: Seattle," by Peter Plagens; "El Lissitzky's 'Prouns', Part II," by Alan C. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by Philip Leider. Essays "Helen Frankenthaler," by Barbara Rose; "The Essential David SMith, Part II," by Rosalind Krauss; "Willem de Kooning," by Walter Darby Bannard; "Notes on Sculpture, Part IV: Beyond Objects," by Robert Morris; "The Sculpture of Jules Olitski," by Kenworth Moffett; "Jack Burnham and Terry Fenton: An Exchange," "Caro in London," by Jane Harrison Cone. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]
Exhibition catalogue published in conjunction with show held May 29 - June 21, 1969. Essays by Barbara Rose, Christopher Finch, and Martin Friedman. Artists include Peter Alexander, Larry Bell, Ronald Bladen, Robert Grosvenor, Robert Hudson, Donald Judd, Craig Kauffman, Ellsworth Kelly, Robert Morris, Robert Murray, Richard Randell, Sylvia Stone, Dewain Valentine, and David Weinrib. ... [details]
The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
An updated edition of this critical anthology of early writings on Minimal and Conceptual Art, originally published in 1968, with a new introduction by Anne M. Wagner. The original anthology was edited by Gregory Battcock, with early writings on Minimal and Conceptual Art. ... [details]
Issue edited by Philip Leider. Essays "Louis Kahn's New Museum in Fort Worth," by Peter Plagens; "Two Sculptures by Anthony Caro," by Michael Fried; "Light as Surface: Ralph Humphrey and Dan Christensen," by Max Kozloff; "Problems of Criticism IV: The Politics of Art, Part I," by Barbara Rose; "Re-Hanging the Met's 19th-Century Galleries," by Gabriel Laderman; "Craig Kauffman," by Jane Livington; "Ingres Centennial in Paris," by Kermit Champa. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art edited by Gregory Battcock. Essays "Systemic Painting," by Lawrence Alloway; "Sculpture as Architecture: New York Letter, 1966-67," by Michael Benedikt; "Serial Art, Systems, Solipsism," by Mel Bochner; "The Razed Sites of Carl Andre," by David Bourdon; "Subject Matter in the Work of Barnett Newman," by Nicolas Calas; "Art and Objecthood," by Michael Fried; "Questions to Stella and Judd," by Bruce Glaser; "Two Exhibitions," by E. ... [details]