Exhibition catalogue published in conjunction with show held at the Exhibition Centre Leipziger Messe in 1997. Organized and edited by Brigitte Oetker and Christiane Schneider. Written contributions by Brigitte Oetker, Christiane Schneider, Mechthild V. ... [details]
Exhibition catalogue published in conjunction with show held March 1 - 24, 1990. Introductory essay by Barbara Rose. [details]
Prospectus for a portfolio of eleven mixed-media prints by Roy Lichtenstein. Essay by Barbara Rose. Includes list of prints. [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
Anthology of writings by Ad Reinhardt assembled and edited by Barbara Rose. Edited by Arthur A. Cohen and Robert Motherwell. Bibliography compiled by Bernard Karpel. Includes list of illustrations and chronology. ... [details]
Double / "flip" issue of the socio-political publication, The Flue, published by avant-garde arts organization Franklin Furnace. Publication reads on one side as "Sex, Performance and the 80's" and on the other side as " L. ... [details]
Irregularly issued artists' periodical of writings and artists' projects. Contributions by Angelo Savelli, Robert Indiana, Robert Motherwell, David Smyth, Will Insley, Sol LeWitt, Mario Yrissary, Barnett Newman, Gino Severini, Alberto Giacometti, Frank O'Hara, Larry Rivers, Adolf Wölfli, Ad Reinhardt, Peter Hutchinson, May Stevens, Frnacis Picabia, Saul Baizerman, Rosemarie Castoro, Jean Dubuffet, Michael Goldberg, Jean Dubuffet, Rosalind Hodkins, Joseph Cornell, Sari Dienes, David Hare, Oyvind Fahlstrom, Piero Dorazio, Roger Welch, William Tucker, Barbara Kruger, Elyssa Rundle, Peter Plagens, Eugene Kayser, Richard Kostelanetz, Robert De Niro, A. ... [details]
Issue edited by Herbert George. Essays "Excerpts from a Journal," by Frank Moore; "The Pontiac Streak," by Michael Robbins; "Art Delinquency Notes," by Tony Rickaby; "Passages," by Rosemary Mayer; "Chicago," by Barbara Kruger; "She Makes The Wrong Choices," by Barbara Kruger; "Eleven Conversations," by Richard Prince; "Cold Oracle," by Robert Morris; "Billy Builder, or The Painfull Machine," by Carl Andre; "Dancing With Grandin," by Harriet Shorr; "Post-Modernist Painting," by Rackstraw Downes; "PICKUP and How To Get or Keep a Job," by Steven Low; "Manifesto on Behalf of the Toupiniquins or Nambas," by Mario Pedrosa. ... [details]
Issue edited by Herbert George. Essays "Sites/Non-Sites: Smithson's Influence on Recent Landscape Projects," by Roelof Louw; "Statue in the Air," by Jirí Kolár; "Cross Out or Add," by Jirí Kolár; "Writings," by Piet Mondrian; "Natural Phenomena as Public Monuments," by Alan Sonfist; "Chapter 4 from PLEASURE," by Barbara Baracks; "My Molding, Flowing Conception of Image, and How It Affects the Universe," by Bernie Maisner; "Berkeley and Bullfighting," by Bruce Boice; "DEAN MARTIN/entertainment as Theater," by Dan Graham; "Past Tense," by Dorothy Dehner; "Two Lives," by Dorothy Dehner; "The Grotesque and the Classical in Sculpture," by Seymour Lipton; "Contexts," by Rosemary Mayer and Nancy Wilson Kitchel; "Fishing," by Dorothy Alexander; "What a Journey (Horror Trip to Poland)," by Harold Vogl; "A Parable," by Steve Martinot; "Tracings," by Jacki Apple; "Abstract architectural Space - The Empty Building," by Will Insley; "Man (=1, That is, Plus or Minus Being = X)," by Cioni Carpi; "Four Poems," by Barbara Kruger; "She Makes the Wrong Choices," by Barbara Kruger; "For Granny (1881 - ) Whose Lamps are Going Out: A Short Lecture on the Effects of Afterimages," by Alice Aycock; "Billy Builder, or The Painfull Machine," by Carl Andre. ... [details]
Periodical on political art. Edited by Keith Christensen, Lucy R. Lippard, Barney Pace, Randy Wade, and Irving Wexler. Essays "AHOP: The First Battle," by Michael Anderson; "What Are the Answers?"; "Street"; "An Image Brawl: The Politics of Street Painting," by Miriam Brofsky and Eva Cockcroft; "Cowboys and Guerrilla's," by Jerry Kearns, Lucy Lippard and Diane Neumaier; "The Street = Private Property and the Public Domain," by Julie Spriggs; "Out of the Darkroom: Cuban Photography Now," by Mel Rosenthal, Rudolf Baranik, Max Kozloff, Fred Ritchen, Eva Cockcroft, Walter Rosenblum, and Susan Meiselas; "International Poster Modernism," by Barbara Hall, Jan McKay, Poster-Film Collective; "Out of Sight, Out of Mind (I): Native American, Black and White Artists in Search of Cultural Democracy," by Jerry Kearns, Mel Edwards, Jaribu Hill, Jolene Richard, Irving Wexler, Peter Jemison, Herb Perr, Jaribu Hill, Randy Wade, Mel Edwards, Ngoma Hill, and Jolene Rickard; "Detours, Sharp Turns and Little Naggy Feelings: Turning Points in the Lives of Art Activists"; "Turning Points," by Rae Langston, Jerry Kearns, Lucy R. ... [details]