Poster of a work, "Mirror Trail," by Robert Smithson published by the Jewish Museum, New York City in 1969. [details]
Exhibition announcement published in conjunction with show held February 1 - February 27, 1969. Object takes the form of a long folded strip with a map on recto beginning at Mono Lake, California, and terminating at New York City, with exhibition data printed on the verso. ... [details]
Set of 12 index cards in a stamped brown paper envelope curated by David Askevold as part of his "Projects Class" held at Nova Scotia College of Art and Design [NSCAD] in 1969. Askevold invited international artists to submit projects for the class, some of these submissions were later transcribed for this edition. ... [details]
![Prospect 69 : Katalog-Zeitung zur internationalen vorschau auf die Kunst in den Galerien der Avantgarde 30. September bis 12. Oktober 1969 [Catalog newspaper for the international preview of art in the galleries of the avant-garde]](/objects/images/s38028.jpg "Prospect 69 : Katalog-Zeitung zur internationalen vorschau auf die Kunst in den Galerien der Avantgarde 30. September bis 12. Oktober 1969 [Catalog newspaper for the international preview of art in the galleries of the avant-garde]")
Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. ... [details]
Exhibition catalogue published in conjunction with show held May 9 - June 22, 1969. Text by Dieter Honisch and Wim A. L. Beeren. Artists in the exhibition include Carl Andre, Giovanni Anselmo, Joseph Beuys, Boezem, Bill Bollinger, Pier Paolo Calzolari, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Mike Heizer, Douglas Huebler, Paolo Icaro, Neil Jenney, Olle Kåks, Jannis Kounellis, Richard Long, Walter De Maria, Mario Merz, Marisa Merz, Robert Morris, Bruce Nauman, Dennis Oppenheim, Panamarenko, Emilio Prini, Reiner Ruthenbeck, Robert Ryman, Alan Saret, Richard Serra, Robert Smithson, Keith Sonnier, Frank Lincoln Viner, Lawrence Weiner, and Gilberto Zorio. ... [details]
Exhibition catalogue published in conjunction with show held at the Seattle Art Museum Pavilion, Seattle, Washington, September 5 - October 5, 1969. The catalogue consists of 137 printed 4 x 6 inch index cards containing artists' proposals and conceptual works. ... [details]
"This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. ... [details]
An updated edition of this critical anthology of early writings on Minimal and Conceptual Art, originally published in 1968, with a new introduction by Anne M. Wagner. The original anthology was edited by Gregory Battcock, with early writings on Minimal and Conceptual Art. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Martisse, Part I," by Albert Elsen; "Systems Esthetics," by Jack W. Burnham; "New Work by Robert Murray," by Jane Harrison Cone; "Douglas Wheeler: Light Paintings," by John Coplans; "Degas Monotypes at Harvard," by Jerrold Lanes; "A Sedimentation of the Mind: Earth Proprosals," by Robert Smithson; "Ideal interlude: The Salons de la Rose-Croix," by Robert Pincus-Witten; "Looking at Canadian Art," by Terry Fenton. ... [details]
This issue of the periodical includes contribution, "A Museum of Language in the Vicinity of Art," by Smithson on pp. 21-27. Additional articles include Robert le Ricolais on Josef Albers, Kurt Von Meier "Painting to Sculpture: One Tradition in a Radical Approach to the History of Twentieth-Century Art. ... [details]
