Issue edited by Philip Leider. Essays "Filthy Pictures," by Barbara Rose; "Sidney Gordin's New Work," by Knute Stiles; "Schwitters Retrospective at U.C.L.A.," by Fidel A. Danieli; "Some New British Sculptors," by Andrew Forge; "Three New Sculptures," by Mark Di Suvero. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part Two: The Realm of Language," by Lawrence Alloway; "Robert Smithson, the 'Amarillo Ramp,'" by John Coplans; "The Art Comics of Ad Reinhardt," by Thomas B. ... [details]
Special issue of artforum on "wonder" edited by Ida Panicelli. "As you will see, no article focuses particularly on the field of art. Instead, we asked over 200 artists to respond to the word 'wonder' by supplying us with an image, a statement, or both. ... [details]
Exhibition catalogue published in conjunction with show held June 27 - October 14, 1996 at the Centre national d'art et de culture Georges Pompidou. Traveled to the Haus der Kunst, München, November 4, 1996 - January 31, 1997. ... [details]
Compendium of the complete Henry & Glenn comics edited by Tom Neeley. First created by The Igloo Tornado, later comics were by multiple artists including: Tom Neely, Kyoshi Nakazawa, M. Moseley Smith, Reuben Storey, Andrew Cox, Mark Rudolph, Max Clotfelter, Marc J. ... [details]
January 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Pay at the turnstile;" "A Policy for the arts," by Lord Eccles talks to Edward Lucie-Smith; "Kokoschka's early work," a conversation between the artist and Wolfgang Fischer; "Correspondence;" "News and Notes;" "Leger's city, and Atget's," by Jonathan Benthall; "The Vienna Secession and its early relations with Great Britain," by Horst-Herbert Kossatz; "Ends and Beginnings: Viennese art at the turn of the century," by Frank Whitford; "Four sculptors (part 4): David Smith," by William Tucker; "Art on TV," by Charles Harrison; "Forces against object-based art," by Andrew Forge; and "New York commentary: Downtown, Uptown, all around the town," by Dore Ashton. ... [details]
March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner;" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. ... [details]
November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP; "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. [details]
