Edited by Tod Lippy. Essays "Found Object: Collective Struggles: A letter discovered in 1975 in a hiding space beneath a cottage in Palo Alto, CA," contributed by Steve Weyl; "Singular Network: A dance company documents the creation of Cell, a piece crafted for one audience member at a time," by Headlong Dance Theater; "New Voices: "Carter and the Kid": Fourth in our series of fiction by emerging authors," by Stuart Nadler; "Paintings for Cash: The Confessions of a Marketable Artist: An anonymous dispatch from a parallel art universe," by "Penelope"; "Modern Artifact 2: "Dear Miss Miller. ... [details]
Edited by Tom Lippy. Essays "Artist's Project: Drawings from the "Untitled House" series (Throughout the issue)," by Chris Doyle; "Artist's Projects: "My Potential Future Based on Present Circumstances (6/29/03)," " by Beth Campbell; "The Architecture of Effect: Are Diller+Scofidio and Frank Gehry practicing architecture? Does it matter?," by Clay Eicher; "Music At 6: Why do Americans get-and seem to want-their news with a soundtrack?," by Carter Burwell; "The Art of Husbandry: Portraits of the actresses from the 1974 film The Stepford Wives," by Don Bechardy; "Alex Shear's Object Lesson #1: (Poster)," by unattributed artists; "Nothing Personal: Seeking out Pfc. ... [details]
Edited by Tod Lippy. Essays "Artist's Project: Mark Keffer: Form and function merge in a series of altered maps (Throughout the issue)," by Mark Keffer; "Mumushka: A child's memories of her beloved grandmother, refracted through the prism of a rich imagination," written and illustrated by Andrea Dezso; "Known By Sight: Marvin Lazarus, Photographer: Compelling portraits-in words and images-of prominent artists by a nearly forgotten figure," photographs and journal excerpts by Marvin Lazarus; "Homemade: An Interview with the Wrens: The band's album The Meadowlands is a masterpiece; here, they discuss its making (and their near undoing)," by Tod Lippy; "Alex Shear's Object Lesson #3: (Poster)," by unattributed artists; "Tricks of the Trade: Recovered from a Santa Monica yard sale, this issue's found object is an entertainer's gag book from 1957," by Michael Rohatyn; "Artist's Project: Jenny Holzer: These recently declassified "Memoranda," selected by the artist, must see the light of day," by unattributed artists; "The Sissy Letters (#2): Second in a continuing series of monologues written for Esopus," by Stephen Adly Guirgis; "100 Frames: Bruce Conner's Breakaway: An ethereal sequence from the San Francisco artist's classic experimental film from 1966," by Doug Aitken; "Means Without End: We asked your publicists to devise PR strategies for Esopus; we've published the results," by Sloane Crosley, John Melick, Baldev Kaur, and Graham Leggat; "Angus Trumble's 1849 in Retrospect: One year. ... [details]