Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Comprehensive history of the founding and first decade of Artforum from 1962 through 1974. Composed of interviews conducted by Amy Newman between 1963 and 1999. Contributors include John Baldessari, Richard Bellamy, Lynda Benglis, Maurice Berger, Irving Blum, Mel Bochner, Chuck Close, John Coplans, Charles Cowles, Michael Fried, Serge Guilbaut, Nancy Holt, Max Kozloff, Hilton Kramer, Rosalind E. ... [details]
Exhibition catalogue published in conjunction with show held January - April 1994. Introduction by Thomas Krens, texts by Rosalind Krauss, Maurice Berger, David Antin, Annette Michelson, W.J.T. Mitchell, Jean-Pierre Criqui and Kimberly Paice. ... [details]
Volume of critical theory on "New American Cinema," edited, with an introduction by Gregory Battcock." Includes contributions by: Jonas Mekas, Ken Kelman, David Ehrenstein, Fred Wellington, Taylor Mead, Andrew Sarris, Rudolf Arnheim, Parker Tyler, Henry Geldzahler, Annette Michelson, Charles Boultenhouse, Ronald Tavel, Kenneth King, Amos Vogel, John Bernard Myers, Toby Mussman (on Marcel Duchamp), P. ... [details]
Exhibition catalogue published in conjunction with show held January - April 1994. Introduction by Thomas Krens, texts by Rosalind Krauss, Maurice Berger, David Antin, Annette Michelson, W.J.T. Mitchell, Jean-Pierre Criqui and Kimberly Paice. ... [details]
Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Yvonne Rainer, Part Two: 'Lives of Performers'," by Annette Michelson; "Microcosm to Macrocosm / Fantasy World to Real World," by Charles Simonds; "Maria Nordman," by Peter Plagens; "'Dada': a Code for Saints?," by John Elderfield; "Art and Art and Language," by Terry Smith; "Victor Burgin: Language and Perception," by Roelof Louw; "Jackie Winsor," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Malevich as a Counterrevolutionary (East and West)," by Max Kozloff; "The Object Perceived / the Object Apprehended," by Susan Tower; "The View from the 20th Century," by Lawrence Alloway; "A Phenomenological Approach to Artistic Intention," by Donald B. ... [details]