Exhibition brochure published in conjunction with show opening November 17, 1992 - . Interview with Brooks Adams. Illustrated with works in exhibition. [details]
Exhibition catalogue published in conjunction with show held February 18 - March 18 1995. Text by Brooks Adams. Includes biography, selected exhibitions, architectural commissions and selected collections. ... [details]
Issue edited by Ingrid Sischy. Essays "Ulrich Rückriem: The Monumental Ritual," by Ted Castle; "The 1979 Dime Store Figurine," by Mike Glier; "The Barren Flowers of Evil," by Komar and Melamid; "Towards a Theory/Practice of Painting," by Paul Rodgers; "Urban Nature: The Work of Maria Nordman," by Germano Celant; "Ian Wilson, For Example: Texts on Words," by René Denizot. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Exhibition catalogue published in conjunction with show held at the Royal Academy of Arts, London, September 18 - December 28, 1997. Traveled to the Hamburger Bahnhof, Berlin, September 30, 1998 - February 21, 1999 ; Brooklyn Museum of Art, New York, October 2, 1999 - January 9, 2000. ... [details]
Exhibition catalogue published in conjunction with show held March 25 - April 22, 1995. Includes texts by Frank Moore, Brooks Adams. Fully illustrated with four fold-out pages, exhibition checklist. [details]
"One of America's most important artists, Bruce Nauman has worked in a dazzling variety of media since the mid-1960s : sculpture, photography, performance, installation art, sound, holography, film, and video. ... [details]
Exhibition catalogue published in conjunction with show held December 13, 1961 - February 4, 1962. Artists included in the exhibition are Pat Adams, Josef Albers, Ivan Albright, Milton Avery, Rudolf Baranik, Robert Barnes, Will Barnet, William Baziotes, Janice Biala, Elmer Bischoff, Isabel Bishop, Peter Blume, Seymour Boardman, Ilya Bolotowsky, Ernest Briggs, Robert Broderson, James Brooks, Charles Burchfield, Paul Cadmus, Lawrence Calcagno, Nicolas Carone, Edmund Casarella, Giorgio Cavallon, Carmen Cicero, Carroll Cloar, Edward Corbett, Ralston Crawford, Nassos Daphnis, Stuart Davis, Elaine de Kooning, Richard Diebenkorn, Enrico Donati, Jimmy Ernst, Philip Evergood, Perle Fine, Seymour Fogel, Sam Francis, Helen Frankenthaler, Jared French, Elaine Galen, Lee Gatch, Thomas George, Paul Georges, Edward Giobbi, Joseph Glasco, Michael Goldberg, Sidney Goodman, Robert Goodnough, Adolph Gottlieb, Morris Graves, Cleve Gray, Balcomb Greene, Stephen Greene, Philip Guston, Grace Hartigan, John Heliker, Margo Hoff, Hans Hofmann, Carl Holty, Edward Hopper, Angelo Ippolito, Paul Jenkins, Jasper Johns, Wolf Kahn, Ellsworth Kelly, William Kienbusch, Franz Kline, Karl Knaths, Yayoi Kusama, Jacob Lawrence, Alfred Leslie, Jack Levine, Denver Lindley, Michael Loew, David Lund, Loren Maciver, Leo Manso, Conrad Marca-Relli, Nicholas Marsicano, Richard Mayhew, Gerald McLaughlin, George McNeil, Samuel M. ... [details]
Issue edited by Bice Curiger. Essays "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming; "Balkon," by Robert Ohrt. ... [details]
Issue edited by Bice Curiger. Essays "The Case Of Robert Gober," by Lisa Liebmann; "An Olympic High-Flyer," by John Russel; "Alex Katz's 'Kool' Portraits," by Brooks Adams; "The Simple Truth Of Everyday Painting," by David Rimanelli; "A Discussion," by Alex Katz / Francesco Clemente; "Four Seasons On Japanese Paper," by Michael Krüger; "Go Fetch The New Yorker," by Richard Flood; "Ada, Katz' Picture Woman," by Patrick Frey; "Night II 1987," by Carl Stigliano; "A Brushstroke Is The Most Artificial Thing In The World," by Bice Cruiger; "Cow, Cow, Cow," by Glenn O'Brien; "Homage To Giulio Roman," by Jacqueline Burckhardt; "Les Infos Du Paradis: Survival Research, Laboratories," by Mike Kelley; "Cumulus From America," by David Deitcher; "Cumulus Aus Europa," by Friedmann Malsch; "Balkon," by Rene Ricard. ... [details]