Issue edited by Ida Panicelli. Essays "Object: Maud Lavin on New Traditionalism and Corporate Identity," by Maud Lavin; "Invisibility Blues: Michele Wallace on Doing the Real Thing," by Michele Wallace; "Books: Marianna Torgovnik on the Art of the Monument," by Marianna Torgoynik; "Believe it or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: Maria Nadotti on Reinterpreting Chekov," by Maria Nadotti; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Appetizers: Barbara Kirshenblatt-Gimblett on Edible Art," by Barbara Kirshenblatt-Gimblett; "Undertone: Scott Gutterman on Rhythm and Rage," by Scott Gutterman; "Books: Diedrich Diederichsen on Greil Marcus' European Dream," by Diedrich Diederichsen; "Icons at Large: Maureen Connor on Modesty," by Maureen Connor; "Another Alphabet: The Art of Marcel Broodthaers," by Thomas McEvilley; "On Fire: A Project for Artforum," by Nic Nicosia; "Critical Reflections," Cornel West; "Listen Carefully: The Mahabharata on Film," by Ida Panicelli; "Contents Under Pressure: Equipo Crónica," by Dan Cameron; "Hapless Figures in an Artificial Storm," by Max Kozloff; "Satanic Paintings: A Project for Artforum," by Mario Nigro; "Nancy Dwyer Makes Trubble," by Marcia Tucker. ... [details]
Issue edited by Ida Panicelli. Essays "Expertise: Neil Smith on Making M/other Nature," by Neil Smith; "The Cave: Greg Tate on 'Looking for Langston,'" by Greg Tate; "Books: Mira Schor on Remedios Varo," by Mira Schor; "Exits and Entrances: Peter Stellars on Opera," by Peter Stellars; "Troubleshooters: David Sternbach on the Trials of Men," by David Sternbach; "Special Effects: Carol Squiers on the New Racism," by Carol Squiers; "Lili Dujourie's Image and Afterimages," by Michael Tarantino; "We Eat We Are Eaten: A Project for Artforum," by David Byrne; "A Systematic Bewildering: The Art of John Baldessari," by Colin Gardner; "On Gérôme, Bouguereau, Ingres, and 'They Died with their Boots on: Notes from a Journal," by Sidney Tillim; "Stages of Strehler," by Maria Nadotti; "The Word Unspoken," by Pat Steir; "Critical Reflections," by Bice Curiger; "Narrative Art: Twelve Artists on the Year's Books," by Papo Colo, Jessica Diamond, Braco Dimitrijevic, Michele Oka Doner, Candida Höfer, Cristina Iglésias, Alfredo Jarr, Robert Kushner, Hirsch Perlman, Lucio Pozzi, Stephen Prina, Nancy Spero. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: John Howell on Voguing," by John Howell; "Folio: Andrew Solomon on Bookbinding," by Andrew Solomon; "Believe It of Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "The Arc of a diver - Judy Pfaff," by John Yau; "Vienna and Her Sisters, A Parable, with Strings," by Lisa Liebmann; "The Art of Filming Painting: Derek Jarman and Caravaggio, Peter Greenaway and Jan Vermeer, Paul Leduc and Frida Kahlo," by Wolfram Schutte; "Taking Liberty with Symbols," by Herbert Muschamp; "The Tourist Industry's Dramamine Against Terrorism: Seeing the World Through Travel Ads," by Glenn O'Brien; "The Big Fight. ... [details]
Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
