Exhibition catalogue published in conjunction with show held at De Kabinetten van de Vleeshal, Middelburg, The Netherlands, September 10 - October 9, 2011. Traveled to Fondazione Bevilacqua la Masa, Venice, October 14 - November 4, 2011 ; Khoj International Artists'' Association, New Delhi, November 18 - December 16, 2011 ; Mumbai Art Room, Mumbai, January 13 - February 10, 2012 ; Nero HQ, Rome, February 3 - March 2, 2012 ; John M. ... [details]
Second edition of the exhibition catalogue originally published in conjunction with a show of artists' books held at Nigel Greenwood Inc. Ltd., London, September 20 - October 14, 1972. Extensive essay by Celant. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, December 15 - June 29, 2008. Essays by Achim Hochdörfer, Susanne Neuberger, Liz Kotz, Michelle Kuo, and Wilfried Kuehn. ... [details]
"A seminal exhibition by the artist Daniel Buren at the Centre Pompidou in Paris is recreated through photographs of the since-destroyed pieces and illuminating reflections by the exhibition''s curator. ... [details]
Exhibition catalogue published in conjunction with show held November 6 - December 12, 2009. Curated and with texts by Ted Purves, Sarah Robayo Sheridan and Steven Leiber. Artists include Keith Arnatt, Jan Dibbets, Peter Weibel, Valie Export, Marinus Boezem, David Hall, Chris Burden, Stan Douglas, Jim Eller, Yoko Ono, Ed Ruscha, Stephen Kaltenbach, Dan Graham, Joseph Kosuth, Walter Battiss, Lynda Benglis, Hamish Fulton, Herman de Vries, Endre Tot, Daniel Buren, United Art Contractors, Skip Arnold, Jeff Koons, Ryan Gander, Giovanni Anselmo, Joseph Beuys, Alighiero Boetti, Stanley Brouwn, Pier Paolo Calzolari, Gino De Dominicis, Ger van Elk, Gilbert & George, Garry Kuehn, Mario Merz, Klaus Rinke, Reiner Ruthenbeck, Ulrich Rückriem, Richard Serra, Keith Sonnier, Franz Erhard Walther, Lawrence Weiner and Gilberto Zorio. [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. ... [details]
"This publication is part of Maria Eichhorn's project 'The Artist's Contract.' From 1996 to 2005 Eichhorn conducted interviews with artists, art dealers, and the authors of 'The Artist's Reserved Rights Transfer and Sale Agreement,' [Seth Siegelaub and Robert Projansky]. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Exhibition catalogue published in conjunction with long-term exhibition held at Mass MoCA, North Adams, Massachusetts, of an landmark installation of LeWitt''s innovative wall drawings, this book celebrates the artist and his illustrious 50-year career. ... [details]
