Double sided postcard / announcement published in conjunction with show held December 2 - 18, 1995. Artists included Ross Bleckner, Lawrence Carroll, Milton Avery, James Welling, Mark Innerst, Gerhard Richter, Laurie Simmons, Peter Halley, Robert Rauschenberg, David Wojnarowicz, Allan McCollum, Cindy Sherman, Richard Prince, Vik Muniz, Michelangelo Pistoletto, Sal Scarpitta, Jonathan Lasker, Annette Lemieux, Peter Nagy, Robert Longo, Not Vital, Sol LeWitt, Robin Rose, Sandro Chia, and Saint Clair Cemin. [details]
Poster published in conjunction with show "Naming Tokyo (Part II)," held at the Swiss Institute, New York, November 13 – December 20, 2003. Originally produced as a commission for Palais de Tokyo in Paris as part of the exhibition "GNS: Global Navigation System. ... [details]
Summer 1983 issue of Effects edited by Tricia Collins and Richard Milazzo. Contributions by Geralyn Donohue, David Salle, Joan Wallace, Troy Brauntuch, Barbara Kruger, Mark Innerst, Richard Prince, Ericka Beckman, Jack Goldstein, Gretchen Bender, Ross Bleckner, Louise Lawler, Allan McCollum, Peter Nagy, Tyler Turkle, Steven Parrino, Tricia Collins, and Richard Milazzo. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
April 19 - 25, 1974 issue of Berkeley Barb, edited by David Armstrong. Contents include: "Is SLA's Cinque the First Black Lee Harvey Oswald?," by Mae Brussell and Stephanie Caruana; "Teachers in Secret Vote Over Strike," by Avis Worthington; "Has Abbie Jumped Bail in Coke Case?," "People's Park Plan May Get Rector's Name;" "Cinque Called Police Patsy," by Sgt Pepper; "Newsman Busted;" "Coalition Makes Move: Oil Moguls Challenged," by Frederick U. ... [details]
September 26 - October 2, 1975 issue of Berkeley Barb, edited by David Armstrong. Contents include: "Sally Moore's 'Radical' Trip," by Barb's S.F. News Interval; "'Chile Too, Will Triumph,'" by Gar Smith; "Dear Barb;" Patty, Sally and the Media Army," by Ric Reynolds, written a week after Patty Hearst's capture/rescue; "Berkeley Beat," by Avis Worthington; "Out of the Closet, Into the Bank," by Paul krassner; "How Real Is It? Patty's 'Brainwash' Rap,'" by David Johnston; "Straight Press Tries to Isolate SLA Supporters," by Kathie Stream; "Whole Earth's Stewart Brand Tools Off Into Space," by Dick Rosenblatt; "Tom Hayden: All-American Radical," by Andrew Ross; "Looking at the World with 'The Big Mind,'" by Laughingbird; "Turning Sex Into Dubious Dance," by Barbara L. ... [details]
![Das Jahrundert des Multiple : Von Duchamp bis zur Gegenwart [The Century of the Multiple: From Duchamp to the Present]](/objects/images/s7368.jpg "Das Jahrundert des Multiple : Von Duchamp bis zur Gegenwart [The Century of the Multiple: From Duchamp to the Present]")
Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. ... [details]
Exhibition catalogue published in conjunction with show held February 3 - March 4, 1989. Curated by Tricia Collins and Richard Milazzo. Interview with Leo Castelli by Alan Jones. Artists include Salvatore Scarpitta, Robert Rauschenberg, Jasper Johns, Ross Bleckner, Annette Lemieux, Doug & Mike Starn, Robert Gober, Suzan Etkin, Meg Webster, Holt Quentel, Nancy Shaver, David Corrino, Lawrence Carroll and Doug Anderson. [details]
Single sided card / announcement published in conjunction with show held June 16 - July 28, 1989. Artists included Alan Belcher, Ross Bleckner, Carter Kustera, Barbara Ess, Vik Muniz, Sigmar Polke, David Salle, [Cindy] Sherman, Lorna Simpson and Oliver Wasow. [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
