Issue edited by John Coplans. Essays "Duane Michals: The Self as Apparition," by Jeff Perrone; "Trouble in Paradise," by Allan Wallach; "Validating Modern Art: The Impact of Museums on Modern Art History"; "Design Deformed," by Suzanne Stephens; "Beating the System," by Leo Rubinfien; "Italo Scanga's Torn Loyalties," by Eric Cameron; "Oldenburg's Monuments to the Sixties," by Nancy Foote. ... [details]
Issue edited by Joseph Masheck. Essays "Participation Performance," by Allan Kaprow; "Einstein on the Beach," by Barbara Baracks; "Diebenkorn Reconsidered," by Budd Hopkins; "Wayne Thiebaud from Phoenix to Des Moines," by Jeff Perrone; "Gustave Caillebotte: The 1970s and the 1870s," by Robert Rosenblum; "Artists' Sketchbooks," by Leo Rubinfien; "Purism: Straightening Up After the Great War," by Kenneth E. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "'Magritte's Inaccessible Woman," by Elena Calas; "Mikhail Vrubel: Madness and Art," by Ann Farkas; "Charles Simonds' Emblematic Architecture," by Kate Linker; "Existential Formalism: The Case of Sharon Gold," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]
