Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "The Razed Sites of Carl Andre," by David Bourdon; "Nakian at the Modern," by Barbara Rose; "Notes on Sculpture, Part II," by Robert Morris; "Two Showings of Younger Los Angeles Artists," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Ancient Egyptian Art at the Lowie Museum," by Palmer D. French; "The New Monuments and Entropy," by Robert Smithson; "A Preview of the 1966 Venice Biennale," by Henry Geldzahler; "Gabo at the Tate," by Andrew Forge; "WPA Art in Maryland," by Elisabeth Steven. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Jasper Johns," by Walter Hopps; "Frank Stella," by Robert Rosenblum; "Mondrian at Santa Barbara," by John Coplans; "Calder at the Guggenheim," by Wayne V. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Allen Jones," by John Coplans; "Larry Poons," by Max Kozloff; "Optical Art at the Modern," by Barbara Rose; "Claes Oldenburg: 4 Drawings"; "The Visual Revolution of Structurist Art," by Charles Biederman; "The Commissioned Object," by Curt Opliger. ... [details]
Issue edited by Philip Leider. Essays "Filthy Pictures," by Barbara Rose; "Sidney Gordin's New Work," by Knute Stiles; "Schwitters Retrospective at U.C.L.A.," by Fidel A. Danieli; "Some New British Sculptors," by Andrew Forge; "Three New Sculptures," by Mark Di Suvero. ... [details]
Issue edited by Philip Leider. A Preview of the United States Section, Sao Paulo Bienal, 1965: "Introduction"; "Barnett Newman," by Lawrence Alloway; "Frank Stella," by Philip Leider; "Larry Bell," by John Coplans; "Donald Judd," by Barbara Rose; "Larry Poons," by John Coplans; "Billy Al Bengston," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Lichtenstein, Oldenburg, Warhol: A Discussion," moderated by Bruce Glaser; "Deborah Remington's New Work," by Knute Stile; "Jugendstil," by Palmer French; "5 Los Angeles Sculptors," by John Coplans; "New Work," by Charles Mattox; "Four Drawings," by Ellsworth Kelly; "Notes on Sculpture," by Robert Morris. ... [details]