Artist's book published in conjunction with show held April 4 - May 20, 2009. "The central orienting point for the show is an installation of books entitled 'Fifteen People Present Their Favorite Book [After Kosuth]'. ... [details]
Exhibition catalogue published in conjunction with show held in 1987 at Stedelijk Museum, Amsterdam, September 4 - October 18, 1987. Traveled to Museum of Contemporary, Los Angeles, CA, October 6 - November 15, 1987 ; Institute of Contemporary Art, Boston, MA, September 17 - November 1, 1987 ; Kölnischer Kunstverein, Köln, Germany, October 29 - November 22, 1987 ; Kunsthaus, Zürich, Switzerland, November 1987 ; Centro Videoarte, Palazzo die Diamanti, Ferrara, December 1 - December 20, 1987 ; Centro de Arte Reina Sofía, Madrid, January - February 1988 ; Museum Moderner Kunst, Vienna, March - April 1988 ; San Francisco Museum of Modern Art, San Francisco, Spring 1988 ; Museum voor Hedendaagse Kunst, Ghent, 1988 ; The Museum of Modern Art, New York, Fall 1988 ; Musée National d'Art Moderne, Centre Georges Pompidou, Paris, November - December 1988 ; Tate Gallery, London, November - December 1988. ... [details]
Comprehensive survey of American painting in the twentieth century. Text by Barbara Rose. Includes essays "Introduction : The Polarities of American Art," "The Armory Show and Its Aftermath," "The Crisis of the Thirties," "The New York School," "The Sixties," "The Seventies : American Art Comes of Age," "Images of the Eighties. ... [details]
Exhibition catalogue published in conjunction with show held April 10 - May 15, 1982. Texts by Peter Frank and Ken Friedman. Organized by Ken Friedman, Peter Frank and Elizabeth Brown. Includes works by John Armleder, Don Boyd, Jean Dupuy, Valery & Rimma Gerlovin, J. ... [details]
Exhibition catalogue published in conjunction with show held at the Studio Museum in Harlem, New York, October 7, 1979 - January 6, 1980. Traveled to The Gallery of Art, Howard University, Washington, D. ... [details]
Exhibition catalogue published in conjunction with show held September 10 - November 2, 1986. Brief texts by Rigby Graham, Michael Lumb, Brian Lane, Simon Cutts, Ulises Carrion, Joan Hugo. Includes an annotated checklist, information regarding and excerpts from hundreds of artists' books, magazines, journals, gallery presses, published music scores, and Fluxus publications. ... [details]
Two volume publication. First volume consisting of a quarterly journal that addresses contemporary art and culture. Includes contributions by Richard Prince, Gavin Brown, RZA, Roe Ethridge, Clayton Patterson, Sterling Ruby, Nico Muhly, Tauba Auerbach, Jerry Hsu, Emma Reeves, Billy Name, Thomas Bayrle, Elizabeth Peyton, Urs Fischer, Andy Warhol, Pablo Picasso, Man Ray, Richard Hamilton, Tallulah Brown, Oliver Payne, Nick Relph, George Grosz, Jason Evans, Vincent van Gogh, Eduardo Paolozzi, Gilbert & George, Ben Dangers, Pierro Della Francesca, Cary Kwok, Anne Collier, Rirkrit Tiravanija, Ella Christopherson, Catherine Taft, Allan Macintyre, Veronica Cooper, Pascal Spengemann, Sara Conaway, Michael Nevin, Kathy Lo, and Kathy Grayson. ... [details]
Artists' book edited by James Hoff -- a recompilation of Artforum magazine's monthly Top Ten column written by a rotating cast of artists, scholars, actors and other superstars from 1998 to 2008. Comprised of direct copies of the author's pages from the magazine coupled with black boxes representing the supporting images. ... [details]
Exhibition catalogue / artists' book published in conjunction with exhibitions held at Migros Museum für Gegenwartskunst, Zürich; Wexner Center for the Arts, Columbus, Ohio; de Apple, Amsterdam; le Consortium, Centre d'Art Contemporain, Dijon, France. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]