Issue edited by Ida Panicelli. Essays "Media Kids: Roselee Goldberg on 'Seasame Street,'" by Roselee Goldberg; "Special Effects: Carol Squiers on the Future of a Delusion," by Carol Squiers; "Expertease: Rosalyn Deutsche on Men in Space," by Rosalyn Deutsche; "Museum Piece: Francesco Dalco on Giulio Romano," by Francesco Dalco; "Undertone: Scott Gutterman on the Jazz Hero," by Scott Gutterman; "Exits and Entrances: Maria Nadotti on Robert Wilson's 'Orlando,'" by Maria Nadotti; "Language and Landscape: An Ontology for the Western," by Jane Tompkins; "To Marat: A Project for Artforum," by Rui Sanches; "Kiki Smith: Body and Soul," by Christopher Lyon; "Gerry Bergstein: A Self-Confessed Couch Potato," by Francine A. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Mira Schor on the Return of the Same," by Mira Schor; "Ground Up: Herbert Muschamp on Property," by Herbert Muschamp; "Democracy, Inc.: Simon Watney on 'Pseudologia Fantastica," by Simon Watney; "The Cave: C. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Alice Yaeger Kaplan on 'French in Action,'" by Alice Yaeger; "Ground Up: Herbert Muschamp on Paris and the Middle," by Herbert Muschamp; "The Cave: Maria Nadotti on Stephen Frears," by Maria Nadotti; "Slant: Maurice Berger in 'Reversal of Fortune,'" by Maurice Berger; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Curies' Children: Vilém Flusser on Three Times," by Vilém Flusser; "Commedia Dell'Arte: A Project for Artforum," by Gary Panter; "A Drawing Page: A Project for Artforum," by Louise Bourgeois; "This is My Body: Felix Gonzalez-Torres," by jan Avgikos; "Barbara Kruger: Resisting Arrest," by David Deitcher; "Smart Women, Younger Choices," by Jeanne Silverthorne; "Epiphany of the Other: Sebastião Salgado," by David Levi Strauss; "Critical Reflections," by Donald Kuspit; "Shades of Derrida," by Michael Kelly; "The Silent Piece: A Project for Artforum," by Guillermo Paneque; "Brave New World," by Colin Gardner; "Life, Death, and Hope in Angstroms," by Regina Tierney with text by Maureen Mangiardi. ... [details]
