Exhibition catalogue published in conjunction with show held at the Deutsches Architekturmuseum, Frankfurt am Main, June 1 - October 10, 1984. Essays by Heinrich Klotz, with contributions by Volker Fischer, Andrea Gleiniger-Neumann, and Hans-Peter Schwarz. ... [details]
Exhibition catalogue published in conjunction with show held at the Winnipeg Art Gallery, May 2 - June 14, 1981. Traveled to National Gallery of Canada, Ottawa, October 1 - November 1, 1981 ; Norman MacKenzie Art Gallery, Saskatchewan, November 10 - December 13, 1981 ; Musée d'Art Contemporain, Montreal, January 8 - February 28, 1982 ; Dalhousie Art Gallery, Halifax, March 11 - April 18, 1982 ; Emily Carr College of Art, Vancouver, October 4 - October 30, 1982. ... [details]
Issues number two through six of Edizione Cenobio Visualità. Issue two edited by Bernar Venet, 1980. Essay by Bernar Vernet. Artists include Bernar Venet, Alexander Rodchenko, Kazimir Malevitch, Wladyslaw Strzeminski, Katarzyna Kobro, Theo van Doesburg, Georges Vantongerloo, Richard Paul Lohse, Max Bill, Sol LeWitt, Dan Flavin and Donald Judd. ... [details]
Lot of twelve Art Metropole catalogues : No. 4 (Spring 1977), No. 5 (Fall 1977), No. 6, No. 7, 1981 Catalogue of Videotapes, Installations, Performances, No. 8, No. 9, No. 10, Trade Catalogue, No. 11, No. ... [details]
March 1974 issue of Opus International focusing on Marcel Duchamp. Articles include "Etant donné Marcel Duchamp 1) Individualiste révolutionnaire 2) respirateur," by Alain Jouffroy; "Bi lingual ography I and Marcel," by Man Ray; "Qu'y a-t-il dans un mot?," by Arturo Schwarz; "Statue de Mot pour Marcel," by Robert Cordier; "Les Symboles chez Marcel Duchamp," by Jindrich Chalupecky; "Duchamp á New York: Le Grand Oeuvre," by Kim Levin; "Etant Donnés: La derniére oeuvre de Duchamp," Nicolas Calas; "Entendre John Cage, entendre Duchamp," dialogue avec Alain Jouffroy; "L'utilité d'un passé déterminé," by Allan Kaprow; "Hommage á Marcel Duchamp: A Balcony Piece," by Michael Kirby; :Le Château de la Pureté," by Octavio Paz; "36 Questions á Daniel Pommereulle autour de Duchamp," by Jean-Clarence Lambert; "Le Ready-Made, ou la fausse réconcilation d l'art et de la vie," by Alain Roussel; "Trois Fenêtres," by Ben; "Le Roman-momie de la Mariée," by Gerard Durozoi; Persistent et Signent," by Gerald Gassiot-Talabot; "Comment s'en débarrasser, ou un an plus tard," by Gilles Aillaud, Arroyo, Recalcati; "Post-Scriptum," by Gilles Aillaud; "M. ... [details]
Exhibition catalogue published in conjunction with traveling show held in 1973. Edited by Anne d'Harnoncourt and Kynaston McShine. Written contributions by Michel Sanouillet, Richard Hamilton, Lawrence D. ... [details]
Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
Large-scale exhibition catalogue published in conjunction with exhibition "Documenta 5," held June 30 - October 8, 1972. Catalogue features screenprinted cover designed by Edward Ruscha. This massive tome is housed in a vinyl covered, European standard, two-ring notebook. ... [details]
The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]