Issue edited by Philip Leider. Essays "Les Levine: Business as Usual," by Jack Burnham; "Abstraction and Literalism: Reflections on Stella at the Modern," by Philip Leider; "An Ilya Bolotowsky Retrospective Travels the West," by Knute Stiles; "Clyfford Still and the Gothic Imagination," by Patrick McCaughey; "Some Notes on the Phenomenology of Making," by Robert Morris; "An Interview with Robert Rohm," by Ralph Pomeroy; "The Year 1200 at the Metropolitan," by William W. ... [details]
Issue edited by Philip Leider. Essays "Georgia O'Keeffe's Late Paintings," by Barbara Rose; "An Interview with Stephen Kaltenbach," by Cindy Nemser; "The 'Third Style' of Sepik River Art," by J.A. Abramson; "American Art in Germany," by Phyllis Tuchman; "Teddy's Taste," by Joseph Masheck; "The Birds of Brancusi," by Sidney Geist. ... [details]
Issue edited by Philip Leider. Essays "The Art of Existence: Three Extra-Visual Artists," by Robert Morris; "A Conversation with Hans Hofmann," by Irma B. Jaffe; "Problems of Criticism, IX: Art and Technology," by Jack Burnham; "Was There a San Francisco School?," by Mary Fuller; "Joseph Raffael, Carlos Villa, Hank Gobin," by Emily Wasserman; "Jackson Pollock's Drawings," by Rosalind Krauss; "An Interview with Jack Tworkov," by Phyllis Tuchman. ... [details]
Issue edited by Philip Leider. Essays "Looking at the Guggenheim International," by James Monte; "Ron Davis at Castelli," by John Elderfield; "Unconventional Realists, Part II: Sculpture," by Gabriel Laderman; "A Meditation on Painting," by Peter Plagens; "Sound Architecture," by Bernard Leitner; "A Conversation with Gene Davis," by Barbara Rose; "Unveiling the Consort, Part I," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]
Issue edited by Philip Leider. Essays "Eva Hesse: Post-Minimalism into Sublime," by Robert Pincus-Witten; "Color and Area: New Paintings by Ellsworth Kelly," by John Elderfield; "Noland's New Paintings," by Walter D. ... [details]
