Critical study on the influence of Duchamp upon the West Coast art world. Introduction by Bonnie Clearwater, texts by Naomi Sawelson-Gorse, Dickram Tashjian, Walter Hopps, Robert L. Pincus, and John Campbell. ... [details]
First issue of "View: The Modern Magazine," a special issue on Marcel Duchamp published in 1945. Edited by Charles Henri Ford. Articles include: "Flag of Ecstasy," by Charles Henri Ford; "The Point of View: Testimony," and "Lighthouse of the Bride," by Andre Breton; "Marcel Duchamp in the Arensberg Collection," by James Thrall Soby; "Magic Circles," by Gabrielle Buffet; "Rrose Selavy (1921-23)," by Robert Desnos; "Marcel Duchamp, Anti-Artist," by Harriet and Sidney Janis; "Cheat to Cheat," by Nicolas Calas; "Les Larves D'Imagie, D'Henri robert Marcel Duchamp," by Frederick J. ... [details]
Compendium of writings by Marcel Duchamp. Edited by Michel Sanouillet and Elmer Peterson. Includes a literary chronology, an introduction, and bibliography. Illustrated in black-and-white. [details]
Prospectus / catalogue announcing and describing the publication of a limited edition book, "The Large Glass and Related Works," by Arturo Schwarz published by Galleria Schwarz in 1967. Includes images of each print from the portfolio with full documentation. [details]
Exhibition catalogue published in conjunction with show held in 1987. The exhibition included work by Richard Hamilton that interacted with works by Marcel Duchamp, Francis Bacon, Sherril F. Martin, Dieter Roth, Lux Corporation and Ohio Scientific. ... [details]
Sticker / bookmark featuring a reproduction of the date and signature on Marcel Duchamp's urinal readymade "Fountain," signed R. Mutt, 1917, held in the collection of the Philadelphia Museum of Art (1950 replica of the 1917 original). ... [details]
March 1974 issue of Opus International focusing on Marcel Duchamp. Articles include "Etant donné Marcel Duchamp 1) Individualiste révolutionnaire 2) respirateur," by Alain Jouffroy; "Bi lingual ography I and Marcel," by Man Ray; "Qu'y a-t-il dans un mot?," by Arturo Schwarz; "Statue de Mot pour Marcel," by Robert Cordier; "Les Symboles chez Marcel Duchamp," by Jindrich Chalupecky; "Duchamp á New York: Le Grand Oeuvre," by Kim Levin; "Etant Donnés: La derniére oeuvre de Duchamp," Nicolas Calas; "Entendre John Cage, entendre Duchamp," dialogue avec Alain Jouffroy; "L'utilité d'un passé déterminé," by Allan Kaprow; "Hommage á Marcel Duchamp: A Balcony Piece," by Michael Kirby; :Le Château de la Pureté," by Octavio Paz; "36 Questions á Daniel Pommereulle autour de Duchamp," by Jean-Clarence Lambert; "Le Ready-Made, ou la fausse réconcilation d l'art et de la vie," by Alain Roussel; "Trois Fenêtres," by Ben; "Le Roman-momie de la Mariée," by Gerard Durozoi; Persistent et Signent," by Gerald Gassiot-Talabot; "Comment s'en débarrasser, ou un an plus tard," by Gilles Aillaud, Arroyo, Recalcati; "Post-Scriptum," by Gilles Aillaud; "M. ... [details]
Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H. ... [details]
Monograph on the work of Marcel Duchamp by Craig E. Adcock. Includes list of illustrations, notes, bibliography and Index. Illustrated in black-and-white. [details]
Exhibition catalogue published in conjunction with show held October 2, 1999 - January 15, 2000. Curated and with a text by Francis M. Naumann. Organized by Achim Moeller. Includes a checklist of the exhibition and a list of related works. [details]
