Issue edited by Joseph Masheck. Essay "Meret Oppenheim: Confrontations," by Nicolas Calas; "Saul Steinberg's 'Written' Pictures," by Joseph Masheck; "On Joel Shapiro's Sculptures and Drawings," by Marc Fields; "Pat Adams' Modernity," by Richard Lorber; "Servant of Time," by Richard Hennessy; "Love/Hate Relations," By Leo Rubinfien; "Domestic Tranquility," by Peter Fuller; "Joshua Neustein: Static Fragile, Massive, Gray, Torn, Impermanent," by Jeremy Gilbert-Rolfe; "Problems in Synchromism," by Janet Funston; "Book Review: Malcolm Le Grice's 'Abstract Film and Beyond,'" by Regina Cornwell. ... [details]
Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Issue edited by Philip Leider. Essays "An Ad Reinhardt Monologue," by Mary Fuller; "A Conversation with Nancy Graves," by Emily Wasserman; "The Sculpture of Peter Alexander," by Peter Plagens; "Don Potts' Game of Car," by Knute Stiles; "The Cuban Poster," by Susan Sontag; "A Master Plan for the Met," by Bernhard Leitner; "A Master Plan for the Met," by Bernhard Leitner; "The Matisse Centenary," by Kenworth Moffett; "The Iconography of Edvard Munch's The Sphinx," by Reinhold A. ... [details]
Exhibition catalogue published in conjunction with show held at the Edith C. Blum Art Institute of Bard College, Annandale-on-Hudson, New York, April 11 - July 5, 1987; the North Carolina Museum of Art, Raleigh, July 25 - October 4, 1987; and the Grey Art Gallery, New York University, October 25 - December 19, 1987. ... [details]
Exhibition catalogue published in conjunction with show held at the Edith C. Blum Art Institute of Bard College, Annandale-on-Hudson, New York, April 11 - July 5, 1987; the North Carolina Museum of Art, Raleigh, July 25 - October 4, 1987; and the Grey Art Gallery, New York University, October 25 - December 19, 1987. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
A survey of contemporary architecture published in 1982. "Anyone interested in sorting out the diversities and complexities of contemporary architecture - and in speculating on the future shape of contemporary architecture - and in speculating on the future shape of our homes and cities - will enjoy this spirited, up-to-the-minute book. ... [details]
Issue edited by Philip Leider. Essays "The Art of Existence: Three Extra-Visual Artists," by Robert Morris; "A Conversation with Hans Hofmann," by Irma B. Jaffe; "Problems of Criticism, IX: Art and Technology," by Jack Burnham; "Was There a San Francisco School?," by Mary Fuller; "Joseph Raffael, Carlos Villa, Hank Gobin," by Emily Wasserman; "Jackson Pollock's Drawings," by Rosalind Krauss; "An Interview with Jack Tworkov," by Phyllis Tuchman. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: Peter Bowen on the Sundance Film Festival," Peter Bowen in conversation with Scott Macauley, Julianne Moore, Lisa Krueger, Andrea Sperling, John Pierson, Reno, Graham Fuller, Ada Gay Griffin, Gavin Smith, and Marcus Hu; "Gadget Love: R. ... [details]
"This anthology brings together seminal articles from one of America's most distinguished architecture magazines, copies of which are now extremely difficult to locate. Published and edited by John Entenza from 1938 to 1962, when he left Los Angeles to direct the Graham Foundation full time, Arts & Architecture played a significant role in the cultural history of Los Angeles and in the development of American modernism in general. ... [details]