Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. ... [details]
Inaugural issue of Corpus, edited by William G. Brandt. Contents include "Friends;" "10th City," by Dr. Ed Wode, photograph by Antonia Houtay; "Muhammad Ali Speaks Out," an interview with Muhammad Ali by William Gillbrandt, photos by Val Ledovsky; "Moondog," by Steven Fuller; "Daniel Nagrin: Can One Man Stop A War?," by Larry Bercowitz; "An Interview with John Vaccaro," by Paula Kay Pierce, photographs by Jonathan Siegel, collage by Eric Noel; "Impressions on the Playhouse of the Ridiculous' Production of Heaven Grand in Amber Orbit. ... [details]
Exhibition catalogue cum artist's project titled "World Soup : The Kitchen Show" published in conjunction with Hans Ulrich-Obrist's first curatorial project, a show held at Schwalbenstrasse 10, St. Gallen, Switzerland, July - September 1991. ... [details]
Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. ... [details]
Two sided flyer / press release published in conjunction with the Dancers' Workshop of San Francisco's performance of "Parades and Changes" held at the Hunter College Playhouse, April 21-22, [1967]. Directed by Anna Halprin. ... [details]
Flyer / announcement published in conjunction with a performance "Meditations on the Alphabet" by Ann-Sargent Wooster held November 11, 1977. Performers included Ann-Sargent Wooster, Peter Downsbrough and Loette McCay. ... [details]
Exhibition catalogue published in conjunction with show held at FAE Musée d'Art Contemporain, Pully/Lausanne, Switzerland, June 14 - September 13, 1992. Traveled to Castello di Rivoli Museo d' Arte Contemporanea, Rivoli, Italy, October 1 - November 22, 1992; Deste Foundation for Contemporary Art, Athens, Greece, December 3, 1992 - February 14, 1993; and Deichtorhallen Hamburg, Germany, March 12 - May 9, 1993. ... [details]
Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Exhibition catalogue published in conjunction with show held at Haus der Kunst, Munich, August 3 - December 10, 1997. Traveled to Nationalgalerie SMPK, Berlin, December 1997 - January 1998; Kunstmuseum Düsseldorf in the Ehrenhof, February 1998; P. ... [details]
Publication on the art of the late 80s defined by Germano Celant as "Unexpressionism." Essay by Celant. "The contemporary is a fleeting and moribund presence. Its manifestations occur before our very eyes, and yet our eyes are unable to control or define them, just as words are incapable of describing them in time, at the same time. ... [details]