Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Issue edited by Philip Leider. Essays "Looking at the Guggenheim International," by James Monte; "Ron Davis at Castelli," by John Elderfield; "Unconventional Realists, Part II: Sculpture," by Gabriel Laderman; "A Meditation on Painting," by Peter Plagens; "Sound Architecture," by Bernard Leitner; "A Conversation with Gene Davis," by Barbara Rose; "Unveiling the Consort, Part I," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "The Art of Existence: Three Extra-Visual Artists," by Robert Morris; "A Conversation with Hans Hofmann," by Irma B. Jaffe; "Problems of Criticism, IX: Art and Technology," by Jack Burnham; "Was There a San Francisco School?," by Mary Fuller; "Joseph Raffael, Carlos Villa, Hank Gobin," by Emily Wasserman; "Jackson Pollock's Drawings," by Rosalind Krauss; "An Interview with Jack Tworkov," by Phyllis Tuchman. ... [details]
September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; and "'The Chelsea Girls,'" by Stephen Koch. ... [details]
Issue edited by Philip Leider. Essays "PheNAUMANology," by Marcia Tucker; "An Interview with Larry Poons," by Phyllis Tuchman; "Architecture as a Weapon: Hitler's Speer," by Bernhard Leitner; "Thomas Eakins and the Power of Seeing," by Patrick McCaughey; "Meditating at Fort Prank," by Emily Wasserman; "Art Deco," by Robert Pincus-Witten; "A New Wing at the Museum of the American Indian," by M. ... [details]
Issue edited by Philip Leider. Essays "Georgia O'Keeffe's Late Paintings," by Barbara Rose; "An Interview with Stephen Kaltenbach," by Cindy Nemser; "The 'Third Style' of Sepik River Art," by J.A. Abramson; "American Art in Germany," by Phyllis Tuchman; "Teddy's Taste," by Joseph Masheck; "The Birds of Brancusi," by Sidney Geist. ... [details]
Issue edited by Philip Leider. Essays "An Ad Reinhardt Monologue," by Mary Fuller; "A Conversation with Nancy Graves," by Emily Wasserman; "The Sculpture of Peter Alexander," by Peter Plagens; "Don Potts' Game of Car," by Knute Stiles; "The Cuban Poster," by Susan Sontag; "A Master Plan for the Met," by Bernhard Leitner; "A Master Plan for the Met," by Bernhard Leitner; "The Matisse Centenary," by Kenworth Moffett; "The Iconography of Edvard Munch's The Sphinx," by Reinhold A. ... [details]