Single-side poster designed to promote production of Foreman's Ontological - Hysteric Theatre "Egyptology (My Head Was a Sledgehammer)" at New York Shakespeare Festival, May 3 - ?, 1983. [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Catalogue published in conjunction with a conference entitled "Multidisciplinary Aspects of Performance : Postmodernism" held in Montreal, Canada, October 9 -11, 1980. Edited by Chantal Pontbriand. Texts by Thierry de Duve, Birgit Pelzer, Bruce Barber, Craig Owens, Régis Durand, Benjamin H. ... [details]
Parachute magazine of contemporary art, 21st issue released Winter 1980. Essays include: "Architectural References," by Bruce Barber; "Musique, Poésie, Narrativité," by Daniel Charles and Jean-Christian Mazzoni; "Picasso: The Rhetoric of Rulelessnes," by Donald B. ... [details]
Edited by General Idea, AA Bronson, Felix Partz, and Jorge Zontal. Essays "The Schizo and Language," by Louis Wolfson; "The Primal Speech," by Jean-Pierre Brisset; "On the Current Symbolic Status of Oil," by Duncan Smith; "The Future of Machine / The Telaxic Synapsulator is the First Meta-Machine," by Kenneth King; "The Start of a 27 Volume Analysis of "Everything"," by Richard Foreman; "Measuring Tape / Filmstrip," by Stuart Sherman; "Giving Thought a Language," by Stuart Sherman, interviewed by Sylvere Lotringer; "Stalin Gazing Enigmatically on the Body of Lenin," by Art Language; "My Vacation," by Mark Beyer; "Most Evil Vehicle," by John Scott; "Mrs. ... [details]
Anthology of theatrical/performative scripts and documents conceived as of as a companion to Breakthrough Fictioneers and Essaying Essays. Compiled and edited by Richard Kostelantz. Features contributions by Marina Abramovic, Ulay, Blair H. ... [details]
Exhibition catalogue published in conjunction with show held at Everson Museum of Art, Syracuse, NY, September 1 - September 30, 1979 and February 1 - March 2, 1980. Traveled to Museum of Contemporary Art, Chicago, October 5 - November 4, 1979 ; University Art Gallery, Berkeley, CA, November 10, 1979 - January 5, 1979 ; Museum of Contemporary Art, La Jolla, CA, February - March 1981. ... [details]
Premiere Issue of Performance Art magazine. Includes writing by Robert Wilson, Ken Friedman, Laurie Anderson, Dick Higgins, Eric Bogosian, Joan Jonas, Robert Ashley, Charlie Morrow, Jean Dupuy, and Stuart Sherman. ... [details]
Program for 10th year, 15th production, of "Blvd de Paris (I've Got the Shakes)" by Richard Foreman starring Kate Manheim at the Ontological-Hysteric Theater shown Wednesday through Sunday, January - April 1977. ... [details]
Inaugural issue of the periodical "October," published in the Spring of 1976. Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Contents include: "'Ceci n'est pas une pipe,'" by Michel Foucault; "The Carrot and the Stick," by Richard Foreman; "To the Distant Observer: Towards a Theory of Japanese Film," by Noël Burch; "The Giant on Giant-Killing," by Richard Howard; "Video: The Aesthetics of Narcissism," by Rosalind Krauss; "Gravity's Rainbow and the Spiral Jetty," by Jeremy Gilbert-Rolfe and John Johnston; "Star," by Jean-Claude Lebensztejn; and "Notes on Composing in Film," by Hollis Frampton. [details]
