Volume one of a catalogue raisonné of the early works (1956 - 1974) of John Baldessari. Edited by Patrick Pardo and Robert Dean, with an essay by Yve-Alain Bois and an interview between John Baldessari and Christopher Knight. ... [details]
Issue edited by Ingrid Sischy. Essays "Figuring it Out," by Klaus Kertess; "Visions and Re-Visions," by Moira Roth; "Slouch Stretch Smile Leap," by Carol Squiers; "Lisa Lyons," by Robert Mapplethorpe; "Editorial," by Ingrid Sischy; 'Action and Abstraction," by Mary Delahoyd; "Carolee Schneemann: The Woman Who Uses Her Body as Her Art," by Ted Castle; "The Doctors," by Stanley B. ... [details]
Issue edited by Bice Curiger. Essays "Bill Woodrow: The Ship Of Fools," by Lynne Cooke; "I Am Going, Erik Bulatov's Vision Of Space," by Claudia Jolles; "Jürgen Partenheimer - Wanderer Between The Worlds," by Amine Haase; "Andy & Andy The Warhol Twins: A Theme and Variations," by Stuart Morgan; "Andy," by Glenn O'Brien; "The Magic Of The Why Not," by Remo Guidieri; "A Portrait Of Andy," by Robert Becker; "Reinhard Mucha - Connections," by Patrick Frey; "Les Infos Du Paradis: The Exhibition 'Sculpture Projects Münster 1987' To Be Opened June," by Jacqueline Burckhardt; "Cumulus Von Europa," by Mark Francis; "Cumulus From America," by Christopher Knight; "Balkon: 'Chain' 1985/86," by Otto Künzli. ... [details]
Issue edited by Ingrid Sischy. Essays "A Letter to Peder Bonnier from Lucio Pozzi"; "'Some Place Enormously Moveable' - The Collaboration of Arakawa and Madeline H. Gins," by Robert Creeley; "Long Walks," by Nancy Foote; "Malcolm Morley: Talking About Seeing," by Klaus Kertess; "Suzanne Harris: The Energy of Time," by Ted Castle; "In the Streets of China," by Joel Meyerowitz; "Working n the Streets of Shanghai and Guilin," by Charles Simonds; "The Ten Frustrations, or, Waving and Smiling Across the Great Cultural Abyss," by Lucy R. ... [details]
Issue edited by Jack Bankowsky. Essays "Zeitgeist: Douglas Coupland On and Off Line," by Douglas Coupland; "Essay: Wayne Koestenbaum on the Art of the Fugue," by Wayne Koestenbaum; "Music: Jon Savage on the Graying of Rock 'n' Roll," by Jon Savage; "Fashion: Richard Martin on Couture Culture," by Richard Martin; "Film: Jonathan Rosenbaum on the Good, the Bad, and the Overlooked," by Jonathan Rosenbaum; "Weather Report: Andrew Ross on the State of the Union," by Andrew Ross; "Exhibitions," by David Rimanelli, Dave Hickey, Arthur C. ... [details]
Issue edited by Jack Bankowsky. Essays "Show Piece: New York, Chicago, San Francisco, Venice, Turin, Paris, Cologne, Berlin, Stockholm, Liverpool, London, Brisbane"; "Film: David Rimanelli on 'Basquiat,'" by David Rimanelli; "Books: Gary Indiana on 'Obscene Bodies,'" by Gary Indiana; "Gadget Love: R. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: Andrew Hultkrans on the Year's Images," by Andrew Hultkrans; "Essay: Dennis Cooper on Tots and Toys," by Dennis Cooper; "Q & A: Peter Bowen on Film," by Peter Bowen; "Fashion: Hilton Als on the Prosthetic Aesthetic," by Hilton Als; "Q & A: Darryl Turner on Style," by Darryl Turner; "Essay: Bruce Hainley on the Tenderness of Wallpaper," by Bruce Hainley; "Q & A: Ernest Pascucci on Architecture," by Ernest Pascucci; "Slant: Bell Hooks on Backlash and Betrayal," by Bell Hooks; "Gadget Love: Andrew Ross on the Great Wired Way," by Andrew Ross; "Music: Evelyn McDonnell on Buzzsounds," by Evelyn McDonnell; "Q & A: Mark Van de Walle on Music," by Mark Van de Walle; "Real Life Rock: Jon Savage's Top Ten (Plus Three)," by Jon Savage; "The Best and Worst Exhibitions of 1996," by Mark Van de Walle, Peter Plagens, Dave Hickey, Linda Nochlin, Giorgio Verzotti, Benjamin H. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Edited by Morgan Fisher and Michael L. Smith. Essays " "Connections: The Work of Charles and Ray Eames": A Review," by Richard Armstrong; "In Completion Drawing," by Robert Janz; "Some Introductory Remarks," by Morgan Fisher; "Ways and Means," by Beverly O'Neill; "A Letter from Stan Brakhage," by unattributed artists; "The Don and Maureen Campbell diagram to be applied in any metaphoric manner they wish," by John Knight; "Six Films by Ken Feingold," by David James; "Special FX Breakdown," by Michael McMillen; "Portions of Sidewinder's Delta: Construction Details," by Pat O'Neill; "Talking with Jack Goldstein," by Morgan Fisher. [details]
Edited by Debra Burchett and Bridget Johnson. Cover by Ed Ruscha. Essays "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. [details]