"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
Exhibition catalogue published in conjunction with show held January 22 - February 14, 1972. Text by Flemming Koefoed, Robert Smithson, P. Adams Sitney, François Pluchart, Cindy Nemser interview with Vito Acconci, Acconci, Stig Brøgger, Per Kirkeby, Dennis Oppenheim, Richard Serra, Georg Jappe and Gottfried Sello. ... [details]
Poster / announcement for opening of "A Collaborative Building Project," by Vito Acconci and Steven Holl, November 13 - December 30, 1993. Essays "Margin As Center," by Kyong Park; "As Storefront Turns," "Interview with Vito Acconci and Steven Holl," by Claudia Gould. [details]
Periodical guide to new arts events in New York City's Lower East Side, edited by Roland Hagenberg. With critical essays by Alan Jones, Jo Shane, Nicolas A. Moufarrege, Carlo McCormick, and Michael Kohn. ... [details]
Issue edited by Joshua Cohn, Walter Robinson, and Edit de Ak. Essays "Anarchitecture in Englewood: Clean Cut," by A.R. [Art-Rite]; "Take Two," by Laurie Anderson; "Beuys: The Coyote," Caroline Tisdall; "'We Humans:' California Surfaces in New York," by Holly Solomon; "Tripletake"; "RM at TOP-W/View"; "Vernacular Myth"; "For Artists' Rights," by Rubin Gorewitz; "An Archipelago of Privacies," by Alan Sondheim; "Irving Sandler: A Modest Undertaking; Serious Business"; " Jack Smith: Excerpts form a Talking Performance"; "Bob-E the Life and Times of"; Bugs Delà"; "Notes," by Robert Pincus-Witten; "Listening to Glass," by John Howell; "We Asked a Number of Artists to Respond to This: Make a Political Statement," statements by Ray Johnson, Jon Hendricks, Jean Toche, Kenmare Mott, Adrian Piper, May Stevens, Scott Burton, Howardena Pindell, Rudy Burckhardt, Willoughby Sharp, Agnes Denes, Leonel Gongora, A. ... [details]
"This monograph introduces the two Swiss architects, Herzog & de Meuron, to America with texts by Steven Holl, Hans Kollhoff, Rem Koolhaas, Eduardo Souto de Moura and Theodora Vischer, and nine color photographs by Thomas Ruff produced specifically for this project. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Jack Bankowsky. Essays "Marx to Sharks: The Art-Historical '80s," by Thomas Crow; "Unhappy Returns: The Po-Mo Decade," by John Rajchman; "Making Difference: The Legacy of the Culture Wars," by Homi K. ... [details]
Exhibition catalogue published in conjunction with show held at the Deutsches Architekturmuseum, Frankfurt am Main, June 1 - October 10, 1984. Essays by Heinrich Klotz, with contributions by Volker Fischer, Andrea Gleiniger-Neumann, and Hans-Peter Schwarz. ... [details]
Co-published by D. Melmoth and Steven Heller. Essays "Our Man in the Big Apple," by D. Melmoth; "Our Nude Family of the Week," photo by Mario Jorrin; "Jail Rapes: A Full Report," by Robert Igriega; "Porno-Political Caricature," by Rick Meyerowitz; "A Portfolio of Photographs (Part II)," by Mario Jorrin; "A Color Portfolio of Love's Labor"; "Gamiani (a story)"; "Ultra Violet in Depth," photos by John Chamberlain; "Movies," by Gregory Battcock; "Cartoon," by Steve Heller; "Calendar. ... [details]