Issue edited by John Coplans. Essays "Peter and the Pressure Cooker, " by Peter Plagens; "On the Nature of Pop," by Carl R. Baldwin; "Abstract Expressionism, Weapon of the Cold War," by Eva Cockcroft," New Japanese Photography," by Max Kozloff; "Video Art: Old Wine, New Bottle," by Allan Kaprow; "Painting Becomes Cyclorama," by Rosalind Krauss; "Malevich's Quest for Unconditioned Creativity, Part I," by Donald Kuspit; "Mel Bochner on Malevich, an Interview," by John Coplans. ... [details]
Issue edited by John Coplans. Essays "Just Another Rectangle Painter," by Peter Plagens; "Fooling the Eye," by Alfred Frankenstein; "Robert Grosvenor's Fractured Beams," by Joseph Masheck; "The Authoritarian Personality in Modern Art," by Max Kozloff; "Cecile Abish," by Lawrence Alloway; "Standish Lawder," by John W. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part Two: The Realm of Language," by Lawrence Alloway; "Robert Smithson, the 'Amarillo Ramp,'" by John Coplans; "The Art Comics of Ad Reinhardt," by Thomas B. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part One: Inside Information," by Lawrence Alloway; "Robert Mangold: An Interview," by Rosalind Krauss; "Robert Mangold: A Humanist Geometry," by Joseph Masheck; "The New Dialectic," by Lizzie Borden; "Vija Clemins," by Max Kozloff; "'Charlie was Like That,'" by Kermit Champa; "Joe Sarno, The Dismemberer," by Marshall Blonsky; "John White," by Peter Plagens; "Book Review," by Carl Baldwin. ... [details]
