"The starting point for the book was a box containing a number of photographs which Christian Boltanski found at the flea market. They show Geo Harly, a little-known artist aof the pre-war period, during a performance and with his mother and brother: a clown in his professional and private life, a mediocre artist but nice guy" --from Christian Boltanski: Catalogue: Books, Printed Matter, Ephemera 1966-1991. [details]
Issue number 57 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Alan Moore. Contents include: "Introduction," by Alan Moore; "Technology as Theme Park: A Nutshell History of the World's Fairs," by George Melrod; "Art in America," by Laura Zelaznick; "Amusement Resistance," by Tom Finkelpearl; "Alive on the Inside: Report from Coney Island," by Richard Eagan; "Shots in the Dark," by Amy Slaton; "United States of America," by Edwin Schlossberg; and "Inferno: Coney Island," by Don Snyder. ... [details]
Issue number 55 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Brian Boigon. Contents include: "Victoria Spacing," by Brian Boigon; "R.M. Schindler Prefabrication Vocabulary: The Panel-Post Construction," by Vikky Alexander; "Composition as Explanation," by Gertrude Stein; "Pick Up Your Corners," by Eddy Rifter; "Chinatown International," by Collins & Milazzo; "Beinahe Nichts (Almost Nothing)," by Gordon Lebredt; "Domesticated Transients," by Donald McKay; "On Indivisibility (In the Domain of the Digital Deluxe)," by David Clarkson; and "Thus Spake Zarathrustra (Excerpt)," by Friedrich Nietzche. ... [details]
Issue number 54 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Serge Gavronsky. Contents include: "Once Again," by Serge Gavronsky; "Interview with Julia Kristeva," by Serge Gavronsky; "Work Vertical and White," by Anne-Marie Albiach; "Go, Monster," by Ludovic Janvier;" "Poems," by Marcelin Pleynet; "Alley of Pepper Plants in California," by Emmanuel Hocquard; "The Brooklyn Bridge," by Leslie Kaplan; and "Interview with Jacques Roubaud," by Serge Gavronsky. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Uneven Development: Public Art in New York City," by Rosalyn Deutsche; "Homeless Vehicle Project," by David V. Lurie and Krzysztof Wodiczko; "Conversations about a Project for a Homeless Vehicle," by Daniel, Krzysztof, Oscar, and Victor; "Walter Benjamin and the Theory of Art History," by Thomas Y. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Why Kluge?," by Stuart Liebman; "On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge," by Stuart Liebman; "The Public Sphere and Experience: Selections," by Oskar Negt and Alexander Kluge; "Word and Film," by Edgar Reitz, Alexander Kluge, and Wilfried Reinke; "Why Should Film and Television Cooperate? Selections from New Stories, Notebooks 1 - 18: "The Uncanniness of Time," by Alexander Kluge; "An Analytic Storyteller in the Course of Time," by Andreas Huyssen; " "What is Different is Good": Women and Femininity in the Films of Alexander Kluge," by Heide Schlüpmann; "On Negt and Kluge," by Fredric Jameson; "Reinventing the Nickelodeon: Notes on Kluge and Early Cinema Alexander Kluge: Filmography," by Miriam Hansen; "Alexander Kluge: Selected Videography," "Alexander Kluge: Selected Publications in Chronological Order," "Selected Bibliography of Writings About About Alexander Kluge," "Acknowledgements," by Stuart Liebman. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Techniques of the Observer," by Jonathan Crary; "The Ends of Art according to Beuys," by Eric Michaud; "Joseph Beuys, or The Last of the Proletatians," by Thierry de Duve; "Haacke, Broodthaers, Beuys," by Stefan Germer; "The Sound of O in Othello: The Real of the Tragedy of Desire," by Joel Fineman; "Lacan's Psychoanalysis, or The Figure in the Screen," by Shoshana Felman; "Reproducing Nature: The Museum of Natural History as Nonsite," by Ann Reynolds. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Philosophical Brothel," by Leo Steinberg; "The Word of God: "I am dead,' " by Denis Hollier; "Foucault's Art of Seeing," by John Rajchman. [details]
February 1988 issue of the irregularly published Public Illumination Magazine featuring texts and artwork by over a dozen contributors identified solely by pseudonyms. This issues theme is "Secrets." [details]
Essay by Allen Ginsberg. Edited by Raymond Foye and Francesco Clemente. [details]
