Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]
Compendium of Ruscha's writings and interviews edited and with an introduction by Alexandra Schwartz. Includes interviews between Ruscha and John Coplans, Douglas M. Davis, Christopher Fox, Robert Colacello, David Bourdon, A. ... [details]
Compendium of essays and criticism by Mike Kelley, compiled and with an introduction by John C. Welchman. The first book in what was intended to be a three volume series. Includes an index. [details]
"In a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933–2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. ... [details]
Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
Issue number 18 of the periodical October. Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp, and Joan Copjec. Contents include: "Nausea and Noesis: Some Philosophical Problems for Sartre," by Arthur C. ... [details]
Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H. ... [details]
"Kant After Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Marcel Duchamp, Thierry de Duve observes, made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgement that replaced the classical "this is beautiful" with 'this is art. ... [details]
Exhibition catalogue published in conjunction with show held at Museo Nacional Centro de Arte Reina Sofía, Madrid, June 19 – October 4, 2010. Essays by Julia Robinson, Hannah Feldman, Agnes Berecz, Emmelyn Butterfield-Rosen, and Benjamin H. ... [details]
Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. ... [details]