Issue number 114 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Erika Knerr. Essays "Fertility and the Growth of Consciousness or an Atmosphere Surrounding Growth," by Erika Knerr; "Molly," by Suzanne McClelland; "Proverbial, Inc. ... [details]
Issue number 114 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Stuart Horodner. Essays "The F Word," by Stuart Horodner; "Cases from the Altered Genetics of Painting," by Fabian Marcaccio; "Phantom Limb," by Kay Rosen; "Out Getting Ribs," by Jean-Michel Basquiat; "Mimicking Appearance," by Stephen Spretnjak; "Graft Study," by Laura Stein; "The Alternative Encyclopedia (Rabbit Bush)," by Sue Johnson; "Untitled," by Judy Linn; "Exquisite Corpse #1," by Francois Morelli & Didier Morelli; "S. ... [details]
Issue number 123 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Gene Kraig. Essays "Introduction," by Gene Kraig; "The Sentence," by Gene Kraig; "Cellblock Visions," by Phyllis Korfeld and Arthur Keigney; "The Criminal Us: Anonymous Confessions Juxtaposed," by Troy Richards; "So Sad, So, Sorry, So What," by Jane Gillooly; "Working at the Massachusetts Correctional Institute," by Jane Gillooly; "The Art of Michael Reddick," by Margaret Bodell; "Life in Prison," by Simon Grennan and Christopher Sperandio; "Notes to a Brick Epic: 'A Cage Went in Search of a Bird," by Cynthia Manning Crosby. ... [details]
Issue number 100 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Susan Kandel and Jody Zellen. Essays "Untitled," by Laura London; "Mothers and Anti-Mothers," by Susan Kandel; "Menstrual Extractions Kit," by Lutz Bacher; "Choose Your Own Heroes," by Laura Howe; "Re:Productive Rights," by Andrea Liss; "Untitled," by Jody Zellen; "Ancient Myths to Avoid Pregnancy," by Laura Parker; "Untitled," by Brian Moss; "If Men Could Get Pregnant. ... [details]
Issue number 101 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Stephen Perkins and Lloyd Dunn. Essays "Introduction, Copy Culture: Barbarians in the Copy Shop," by Stephen Perkins and Lloyd Dunn; "Untitled," by Vittore Baroni; "Cultural Subversion," by Frank Moore; "Lexicons of Paradise: Forgetting All the Paintings by Men," by Peggy Cyphers; "The Queer Zine Scene," by Laurence Roberts a. ... [details]
Issue number 122 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Todd Ayoung. Essays "Hows Angels Travel," by Todd Ayoung; "Iyali (Family)," by Fatimah Tuggar; "Frugality and the Urban," by May Joseph; "On Archives (A Fragment) by Brian Wallis; "Isis," by Fred Wilson; "Untitled (Hathor and Attendants)," by Fred Wilson; "Museum City," by Janet Koenig; "2nd Official Game," by Jun Ozaki; "Interface Passages," by Rainer Ganahl; "Place de La Chapelle," by Henry Du Moulin; "Transaction Profile," by Jim Costanzo; "Painting, Demography, and Global Communication," by Carsten Juhl; "Since '72," by Allison Smith; "Untitled (Excerpt from Paraiso en el Nuevo Mundo)," by Sergio Vega; "Toto, I Have a Feeling We're Not in Texas Anymore. ... [details]
Issue number 113 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Susan Bee and Mira Schor. Essays by Christian Schumann, Amy Sillman, David Reed, Jane Hammond, Rochelle Feinstein, Julia Jacquette, Kay Rosen, Pamela Wye, David Humphrey, Kenneth Goldsmith, Faith Wilding, Lucio Pozzi, Richard Tuttle, Tom Knechtel, Mira Schor, and Susan Bee. ... [details]
Issue number 111 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Holger Drees. Essays "Introduction," by Holger Drees; "Seeing Silence with One's Ears," by Michael Glasmeier; "Sound in the Environment," by Christina Kubisch; "Fictional Nature: Christina Kubisch," by Helga de la Motte-Haber; "Dobei Radio," by Kazumasa Mitsui; "Shlomo Koren," by Maike van Stiphout; "The Sunseeker," by Ulrich Westerfrölke; "Bio-Morph I & II," by Shigenobu Yoshida; "Lucciola," by Francesco Mariotti & Klaus Geldmacher; "Autonomous Solar Sculptures," by Francesco Mariotti; "Arts and Technology," by David Cranswick; "Solar Powered Drawing Machine," by Cameron Robbins; "The Offshore Solar Hydrogen Farm," by Holger Drees; "Putting the Land Back to Trees," by Beth Fields; "The Ecological Greenhouse," by Avital Geva; "Solar Gardening: Light and Life," by Richard Thomas; "Autumnal Equinox," by Sabine Russ; "Solar Spectrum: The Harvard Business School Chapel," by Charles Ross; "Nature Shows its True Appearance with the Passage of Time," by Hitoshi Nomura; "Parallel Worlds," by Catherine Clover; "Thomas Schönauer," by Holger Drees; "James Darling," by Andrew Holloway; "Tent for Mr. ... [details]
Issue number 111 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Grace Roselli and Barbara Rusin. Essays "Caught Looking..." by Grace Roselli & Barbara Rusin; "Boudoir," by Shelagh Keeley; "As the Subject as the Object (Me, She, Her, I)," by Sarah Schwartz; "Parlor Games," by Charles Yuen; "What You See is Not Always What You Get: Voyeurism and the Primal Scene in Art," by Danielle Knafo; "Rooftop and Other Scenes," by Michel Auder; "Nu a La Toilette," by Ariane Lopez-Huici; "The Sadistic Eye: Violence and Cultural Spectacle," by Aimee Morgana; "Something Private," by Jocelyn Taylor; "Clinical Subject Positions. ... [details]