March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
April 1974 issue of Studio International with cover specially designed for this issue by Klaus Rinke. Edited by Peter Townsend. Contents include: "Art and industry: a systematic approach," by Bernard Smith; "Correspondence;" "On Mounds," by James Davis; "Memories of passing: a note on Richard Long," by R. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by Norman Stevens. Edited by Peter Townsend. Contents include: "The market system and the arts," by John Kenneth Galbraith; "Politics in art," by Su Braden; "Creativity at work - Artists' Space," by Derek Seagrief; "Phillip King," by Barry Martin; "The iconoclastic fury," by Andrei B. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by David Diao. Edited by Peter Townsend. Contents include: "Foreword;" "Bibliography;" "High Modern: an introduction to post-Pollock painting in America," by John Elderfield; "Correspondence;" "Modernist art 1960 to 1970," by E. ... [details]
September 1974 issue of Studio International. Edited by Peter Townsend. Contents include: "Art Front," by Gerald M. Monroe; "The Hayward Biennale," Andrew Forge, Myles Murphy, Paul Huxley, John McEwen; "A Conversation with Henryk Stazewski," with Wieslaw Borowski; "Correspondence;" "The Origins of Modernism in England," by Charles Harrison; "Food as an Art Form," by Mary Douglas; "The mature portraitist: Richard Avedon," by Dore Ashton; "The Englishness of Caro," by Joseph Masheck; "Review. ... [details]
December 1974 issue of Studio International with a cover specially designed for this issue by Kurt Kranz. Edited by Peter Townsend. Contents include: "American painting and British painting: some issues," by Terry Smith; "Two Recent Works," by Douglas Huebler; "Road-digging and aestheticism: Oxford in 1874," by Tim Hilton; "William Scott in conversation with Tony Rothon;" "What sculpture is 1 & 2," by William Tucker; "Agnes Denes: analytical works;" "The mechanism of control and unofficial art in the USSR," by Igor Golomshtock; "NSCAD prints," by Eric Cameron; "Review;" and "Guide to publisher's, presses and galleries dealing in graphics. ... [details]
May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. ... [details]
Hanging wall calendar style artist's book by John Baldessari composed of artworld parables with paired non-sequitur photographs on opposing top to bottom pages. Texts in English, German, Italian, and French. [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. ... [details]
