Exhibition catalogue published in conjunction with show held at Pace Wildenstein, Beverly Hills, November 9 - December 29, 1995 and at Pace Wildenstein, New York, January 19 - February 17, 1996. Essay by Mildred Glimcher, and chronology by Alexander S. ... [details]
Exhibition catalogue published in conjunction with show held at the Castello di Rivoli, Museo d'Arte Contemporanea, October 20, 1997 - January 18, 1998. Essays by Ida Gianelli, Johanna Drucker, and David Ross. ... [details]
Large-scale publication on American and European art from the 1960s to the 1990s, with discussion on the work of the major and minor artists, movements and styles and the social and cultural context of the period. ... [details]
Pin by Lawrence Weiner. [details]
Single fold exhibition announcement card for show held May - September, 1995. [details]
A collection of essays that provide a scholarly look at the subject of boredom throughout literature and society. [details]
CD comprised of two different New York-based bands, The Static and The Theoretical Girls, from the 1970s. Features live and studio recorded tracks by Glenn Branca. [details]
Critical text on the life and work of George Hendrik Breitner, and his contemporaries by Wiepke Loos ad Guido Jansen. Other artists featured include Lourens Alma Tadema, Marie Alexandre Jacques Bauer, Gerrit Willem Dijsselhof, Paul Joseph Constantin Gabriel, Vincent Van Gogh, Isaac Israels, Jozef Israels, Johann Eduard Karsen, Jacobus van Looy, Jacob Maris, Willem Maris, Anton Mauve, Hendrik Willem Mesdag, Willem Roelofs, Therese Schwartze, Jan Toorop, Jan Pieter Veth, Nicolaas van der Waay, Hendrik Johannes Weissebruch, Willem Arnold Witsen, and Willem de Zwart. ... [details]
"One of the best appreciations of a modern popular musician that's ever been written. In sharp contrast to most of the literature on popular music, it is articulate, it is written by someone who actually knows what he is talking about (Tamm's knowledge of both the mechanics of a studio and a wide variety of music from classical through pop is awesome), it is amazingly free of the usual polemics, hysteria and rhetoric which characterize this kind of book, and it is carefully systematic in the way it deals with Eno and his work. ... [details]
Exhibition catalogue published in conjunction with show held October 13, 1995 - January 14, 1996. Contains essay by David Rimanelli and portrait photograph by Nan Goldin. Replete with lush illustrations of paintings and drawings by Marden. [details]