Edited by Rosalind Krauss, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, and Silvia Kolbowski. Essays "Wound Culture: Trauma in the Pathological Public Sphere," by Mark Seltzer; "The Death of Paper, Part II: Artaud's Sound System," by Denis Hollier; "Partially Buried," by Renée Green; "The Turn of the Screw: Daniel Buren, Dan Flavin, and the Sixth Guggenheim International Exhibition," by Alexander Alberro; "One Place After Another: Notes on Site Specificity," by Miwon Kwon; "What's Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere?," by Andrea Fraser; "Services: Working-Group Discussions," by Conference Document. [details]
Quarterly publication. Edited by Joan Copjec, Rosalind Krauss, Annette Michelson. Contains essays by Denis Hollier, Thomas Y. Levin, Theodor Adorno, Douglas Kahn, Manthia Diawara, V.Y. Mudimbe, and Benjamin H. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey. Essays "Geometry / Labor = Volume / Mass?," by Darcy Grimaldo Grigsby; "A Conversation with Kenneth Frampton," by San Allen and Hal Foster; "Toward a Theory of the Architectural Program," by Anthony Vidler; "Involuntary Prisoners of Architecture," by Felicity D. ... [details]
A professional and personal autobiography by Adrian Piper that provides insightful commentary on everything from art and criticism to race and gender relations. Volume 2. Includes some illustrations in black-and-white. ... [details]
"Since the 1960s, the artist Bruce Nauman has developed a highly complex and pluralistic oeuvre ranging from discrete sculpture, performance, film, video, and text-based works to elaborate multipart installations incorporating sound, video recording and monitors, and architectural structures. ... [details]
Anthology of critical texts by Serge Guilbaut, Jean Baudrillard, John O'Brian, Benjamin H.D. Buchloh, Timothy J. Clark, Thomas Crow, Thierry de Duve, Françoise-Marc Gagnon, John-Franklin Koenig, Lary May, Laurie J. ... [details]
"In 1964, at age forty, Marcel Broodthaers (1924–1976) proclaimed that his years of writing poetry—of being "good for nothing," in his words—were over, and a brief but dazzling artistic career began. Considered a founding father of institutional critique, Broodthaers created hundreds of objects, books, films, photographs and exhibitions, including a "fictive" museum of modern art that evolved from an installation in his own home to a massive exhibition of over three hundred works representing eagles. ... [details]
Exhibition catalogue published in conjunction with show held at the Edith C. Blum Art Institute of Bard College, Annandale-on-Hudson, New York, April 11 - July 5, 1987; the North Carolina Museum of Art, Raleigh, July 25 - October 4, 1987; and the Grey Art Gallery, New York University, October 25 - December 19, 1987. ... [details]
A very large-scale reference book describing both the German and American period of the Bauhaus. Covers the pre-history, the Weimar years, the transfer to Dessau, Gropius's Dessau years, Meyer's Dessau years, Mies van der Rohe's Dessau years, the Berlin years, and the New Bauhaus in Chicago. ... [details]
"An examination of a 1970s Conceptual art project—advertisements for fictional shows by fictional artists in a fictional gallery—that hoodwinked the New York art world. From the summer of 1970 to March 1971, advertisements appeared in four leading art magazines—Artforum, Art in America, Arts Magazine, and ARTnews—for a group show and six solo exhibitions at the Jean Freeman Gallery at 26 West Fifty-Seventh Street, in the heart of Manhattan's gallery district. ... [details]