June 1973 issue of Flash Art, edited by Giancarlo Politi. Cover artwork, Proposal for Flash Art, 1973, by Sol LeWitt, an unique project for this issue of Flash Art. Contents include: artists' statements and images by Sol LeWitt, Cioni Carpi, Ray Johnson, Tadaaki Kuwayama, Franco Vaccari, Gabor Attalai, Les Levine, Zvi Goldstein, Marco Gastini, Antonio Paradiso; "Agnes Martin," by Germano Celant; "La Mente Serena [The Untroubled Mind]," by Agnes Martin / Ann Wilson; "Tom Sawyer o Del Socialismo Realista," by Gianni-Emilio Simonetti; and "Bochner," an interview with Mel Bochner by L. ... [details]
Edited by General Idea, AA Bronson, Felix Partz, and Jorge Zontal. Features "Editorial," "Borderline Cases," "Bum Bank Manifesto," "Are You Truly Invisible?," "Letters from Robert Cumming," "Letters from Ray Johnson," "Pariscope: General Idea discovers Paris (Ontario)," "Pariscope: End of an Era," "Pariscope: The Bank Wet Years," "Pariscope: French Letter," "Pariscope: London Letter," "Pariscope: A Daze in the Life of General Idea," "A FILE Interview: Alex the Holy. [details]
Issue edited by Beryl Korot and Ira Schneider. Essays "Notes on Videotherapy," by Vic Gioscia; "Video Tape for the Exceptional," by H.F. Weisborg; "Multiple Image Video Self Confrontation," by Milton Berger; "What Can a Portapak Do?" by Alan Kaplan and Stelios Spiliadis; "Critical Mass," by Bob Sandidge; "Video as a Tool in Instituitional Analysis," Abram Engelman and Tom Johnson; "Video Enclosing," by Randy Sherman; "Shirley Clarke: An Interview"; "Antioch College M. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "End of an Era," by Dore Ashton; "Humanism and Reality - Thek and Warhol," by Battcock; "Jasper Johns: Stories and Ideas," by John Cage; "The Creative Act," by Marcel Duchamp; "The Art Audience and the Critic," by Henry Geldzahler; "Th Big Canvas," by E. ... [details]
Exhibition catalogue published in conjunction with an exhibit at the Onnasch Galerie in November, 1973. Includes black-and-white images and texts by Peter Frank, Robin Page, Al Hansen, Ray Johnson, and George Brecht in English. [details]
Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. ... [details]
Exhibition catalogue published in conjunction with show, curated by Suzanne Delehanty, held January 27 to March 1, 1972. Artists include Carl Andre, Richard Anuszkiewicz, Ellen Cibula, Charles Fahlen, Mary Heilmann, Eva Hesse, Will Insley, Alfred Jensen, Jasper Johns, Bruce Johnson, Ellsworth Kelly, Patricia Lasch, Donald Lewallen, Sol LeWitt, Richard Paul Lohse, Agnes Martin, Edwin Mieczkowski, François Morellet, Dona Nelson, Larry Poons, Ad Reinhardt, Robert Ryman, Alan Shields, Joan Snyder, Merrill Wagner, Andy Warhol, and Mario Yrissary. ... [details]
Poster published in conjunction with the "Artists' Benefit for Civil Liberties" held March 11, 1972 at Leo Castelli downtown gallery featuring over 500 art works donated by artists and collectors. The ticket to the benefit was a signed graphic designed by Carl Andre in an edition of 2000. ... [details]
Poster published in conjunction with the world premiere of Emile de Antonio's documentary "Painters Painting" at Hunter College Auditorium, February 12, 13, and 14, [1972]. Artists and culture workers in the film include Josef Albers, Leo Castelli, Willem de Kooning, Helen Frankenthaler, Henry Geldzahler, Clement Greenberg, Thomas Hess, Jasper Johns, Philip Johnson, Hilton Kramer, Philip Leider, Robert Motherwell, Barnett Newman, Kenneth Noland, Jules Olitski, Phillip Pavia, Larry Poons, Robert Rauschenberg, William Rubin, Ethel Scull, Robert Scull, Frank Stella, and Andy Warhol. [details]
Compendium of writing from a poetry workshop conducted by Perreault with elementary school teachers for Project Radius, Dalton, Georgia, June - July, 1972. Introduction by John Perreault. [details]