Edited by Rosalind Krauss and Annette Michelson. Essays "Philosophy and/as Film and/as if Philosophy," by Arthur C. Danto; "Reading Hitchcock," by Fredric Jameson; "The Anxiety of the Influencing Machine," by Joan Copjec; "Documenting the Left," by Stuart Liebman; "The Formalist's Dreyer," by Nick Browne; "Address to the Heathen," by Noël Carroll. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Ointments, Makeup, Polen," by Jean Clay; "Plato and the Simulacrum," by Gilles Deleuze; "Introduction to The Tables of Destiny," by Paul Schmidt; "An Excerpt from The Tables of Destiny," by Velimir Khlebnikov; "To Be Continued: A Note on Some Recent Mondrians," by Nancy Troy; "A Reply to Heath," by Noël Carroll. [details]
Parachute magazine of contemporary art, 29th issue released Winter 1982-1983. Essays include: "The Enduring of the Artsystem," by Gary Kibbins; "Deassaisissement et Réappropriation : De L'émergence du "Photographique" dans l'art Américain," by Guy Bellavance; "Colour Video/ Vulgar Potential," by Peggy Gale; "Colin Campbell," interview by Peggy Gale; "L'éloquence des Moyens: Aperçu des Peintures de Jean-Marie Martin," by Paul-Albert Plouffe; "Andrew Jackson," by Stephen Horne; "Mirrorings," by V. ... [details]
Parachute magazine of contemporary art, 32nd issue released Fall 1983. Essays include: "Comment Peut-On Être Wagnérien?" by Jean-Jacques Nattiez; "Representation and Sexuality," by Kate Linker; "John Clark: Style, Narrative and Object," by Bruce Grenville; "L'espace Immaculé Dans Les Films De Straub-Huillet (Ne Montre Rien) by Stephen Sarrazin; "Melvin Charney," by Bruce Grenville; "Tom Sherman," by Trevor Gould; "Rebecca Garrett/ Lyne Lapointe," by Elke Town; "R. ... [details]
Issue edited by Bice Curiger. Contents include: "Chatter About Art is Almost Always Useless," Suzan Frecon and Marcella Durand in conversation; "Alluring Appearance, Complex Core," by Beatrix Ruf; "See Reverse for Care," by Fionn Meade; "Liberation in the Loop, Paul Chan: The 7 Lights" by Boris Groys; " Essentially Alien: Notes from Outside Paul Chan's Godot," by Carrie Lambert-Beatty; "Remember the Bourgeoisie?" by Paul Chan; " The Body Inscribed: Paul Chan's Sade Project," by Alan Gilbert; "The SIlent Power of Art," by Stéphanie Moisdon; "Recreated Reaction Recreate," by Paul McCarthy; Élan: The Joy of Sturtevant's Spinoza," by Roger Cook; "Praise and Otherwise," for Sturtevant from various sources; "Homesickness is Where the Heart Is," by Douglas Fogle; "It Defie Common Sense in Spectacular Style," by Daniel Baumann; "Nothing Everything at Once," by Negar Azimi; "Staging Knowledge, Staging an Opera of Knowledge," Herbert Lachmayer and Jacqueline Burckhardt; and "Reflection, Action, and Production in the Zentrum Paul Klee's Summer Academy," by Juri Steiner. ... [details]
Fall 1977 issue of the New York-based periodical Performing Arts Journal. Edited by Bonnie Marranca and Gautam Dasgupta, with written contributions by Mimi Gisolfi D'Aponte, Peter Frank, Glenn Loney, John Howell, Stanley Kauffmann, Robert Patrick, Sam Shepard, Megan Terry, Richard Kostelanetz, Carrie Rickey, Susan Sontag, Edward Bond, A. ... [details]
Exhibition catalogue published in conjunction with show held at the Centro de Arte Reina Sofía, Madrid, March 1 - May 8, 1989 and the Palau de la Virreina, Barcelona, May 25 - July 16, 1989. Preface by Mark Rosenthal and Robert Storr. ... [details]
Exhibition catalogue published in conjunction with show held October 23 - December 15, 2000. Essays by Catherine Tedford, Gary D. Sampson and Esther Parada, further contributions by Michael Hoffman, Mark C. ... [details]
Exhibition catalogue published in conjunction with shows held in 1979. Artists include Martine Aballea, Harmony Hammond, Jane Carr, Mel Kendrick, Alan Finkel and Anthology Film Archives. Catalogue in the form of a portfolio of postcards. [details]
Issue edited by Jim Buckley. Essays "Screw You: Porn and the Mafia," by Jim Buckley; "Sex Scene: Mayfair Melodies," edited by Bruce David; "Shitlist," by Al Goldstein; "Raunchy Rejectcs," by Mala Droit; "Rumpleforeskin: Is Billy Graham a Shitsucker?" by Paul Krassner; "Fuckbooks: How Much Meat Would a Beatnik Beat if a Beatnik Could Beat Meat?" by Michael Perkins; "Screw Goes to Market: Prosthetic Aesthetics," photos by Pete Dvarackas and Marc Carrier; "Dirty Diversions: Fellini with a Hardon," by Al Goldstein; "Naked City," edited by Anthony Gambino; "Mail Order Madness," by John Milton. [details]
