Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
Exhibition poster published in conjunction with show held January 5 - February 1, 1965. Artists include Canstantino Nivola, Marjorie Strider, Roy Lichtenstein, Yves Klein, Carson, Ramos, Öyvind Fahlström, W. ... [details]
Critical theory text focusing on important exhibitions of the twentieth century. Text by Bruce Altshuler. Artists include Henri Matisse, Fernand Léger, Marcel Duchamp, Francis Picabia, Wassily Kandinsky, Henri Rousseau, Odilon Redon, Hannah Höch, André Masson, Joan Miró, Hans Bellmer, Salvador Dali, Max Ernst, Man Ray, Giorgio de Chirico, Joan Mitchell, Willem de Kooning, Arman, Daniel Spoerri, Niki de Saint-Phalle, Claes Oldenburg, Carl Andre, Donald Judd, Robert Smithson, Joseph Kosuth, Lawrence Weiner, Richard Serra, Eva Hesse, and many more. ... [details]
Appropriated and modified copy the paperback trade edition of Arturo Schwarz's The Complete Works of Marcel Duchamp, rebound in leather, gold gilt edged, gold tooling, slipcase, and cotton gloves. [details]
Collection catalogue published in conjunction with the donation of the Arensberg Collection to the Philadelphia Museum of Art. Text by Henry Clifford. Artists include Alexander Archipenko, Jean Arp, Constantin Brancusi, Georges Braque, Alexander Calder, Paul Cézanne, Marc Chagall, Giorgio de Chirico, Salvador Dali, Robert Delaunay, Charles Demuth, André Derain, Marcel Duchamp, Raymond Duchamp-Villon, Max Ernst, Lyonel Feininger, Albert Gleizes, Juan Gris, Jean Hélion, Alexey Jawlensky, Wassily Kandinsky, Paul Klee, Frank Kupka, Roger La Fresnaye, Fernand Léger, René Magritte, Louis Marcoussis, André Masson, Henri Matisse, Carlos Mérida, Knud Merrild, Jean Metzinger, Joan Miró, Amedeo Modigliani, Piet Mondrain, Roberto Montenegro, Jules Pascin, Francis Picaba, Pablo Picasso, Pierre August Renoir, Georges Rouault, Henri Rousseau, Pierre Roy, Morton Schamberg, Charles Sheeler, Yves Tanguy and Jacques Villon. ... [details]
Reference book for the collection of the Museum of Modern Art, Saint-Étienne. Essays by Jacques Beauffet, Bernard Ceysson, Martine Dancer and Maurice Fréchuret. Artists include Gilles Aillaud, Carl Andre, Arman, John Armleder, Jean Arp, Jean Atlan, Enrico Baj, Georg Baselitz, Etienne Beothy, Christian Boltanski, Roger Bissiére, Victor Brauner, Camille Bryen, Pierre Buraglio, Victor Burgin, Alexander Calder, Marcelle Cahn, Louis Cane, Auguste Chabaud, Gaston Chaissac, Tony Cragg, Joseph Csaky, Robert Delaunay, Sonia Delaunay, Maurice Denis, Daniel Dezeuze, David Diao, Jim Dine, César Domela, Marcel Duchamp, Jean Dubuffet, Raoul Dufy, Max Ernst, Etienne-Martin, Aleksandra Exter, Luciano Fabro, Jean Fautrier, Naum Gabo, Jochen Gerz, Julio González, Toni Grand, Hans Hartung, Raoul Hausmann, Jean Hélion, Jörg Immendorff, Robert Jacobsen, Alain Jacquet, Donald Judd, Lajos Kassak, On Kawara, Ellsworth Kelly, Yves Klein, Joseph Kosuth, Igor Kopystiansky, Barbara Kruger, Henri Laurens, Bertrand Lavier, Jean Le Moal, Sol LeWitt, Roy Lichtenstein, Richard Long, Markus Lupertz, Alberto Magnelli, Alfred Manessier, Louis Marcoussis, André Masson, Henri Matisse, Mario Merz, Henri Michaux, Claude Monet, Barnett Newman, Kenneth Noland and many, many more. [details]
Catalogue raisonné of The Société Anonyme and the Dreier Bequest at Yale University. The Société Anonyme, founded in 1920 by Marcel Duchamp, Katherine Dreier and Man Ray, was responsible for introducing contemporary European Art to the American public. ... [details]
From roughly 1965 to 1980, Conceptual Art and Performance Art took center stage throughout the western world, introducing new and complex ideas to the practice of contemporary art which reverberate to this day. ... [details]
"In the '20s the Surrealists proclaimed that words had stopped playing around and begun to make love. Noewhere is this more apparent than in the writings of Marcel Duchamp, who fashioned some of the most joyous and ingenious couplings and uncouplins in modern art. ... [details]
Exhibition catalogue published in conjunction with show held January 15 - March 6, 1988. Examines Marcel Duchamp and his effect on the avant garde since 1950, incorporating images of Duchamp's work, reproductions of work by other artists, and essays by theorists and artists alike. ... [details]
