May 1976 issue of Artforum, edited by John Coplans. Contents include: "Chris Burden," by Robert Horvitz; "Carol Andre: Art Versus Talk," by Jeff Perrone; "Carl Andre: Art Versus Talk," by Jeff Perone; "Marcel Broodthaers' Throw of the Dice," by Nicholas Calas; "Frida Kahlo: Her Life, Her Art," by Hayden Herrera; "Non-Theatrical Performance," by Allan Kaprow; "Nancy Spero," by Lawrence Alloway; "Drawing the Line," by Nancy Foote; "The Ideal and the Literal Sublime," by Sidney Tillim. ... [details]
December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck; and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. ... [details]
January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. ... [details]
Issue no. 2 of "Tracks: A Journal of Artists' Writings," edited by Herbert George. Contents include: "The Great Interplanetary Art Plot," by Peter Hutchinson; "The Art Dictator," by Peter Hutchinson; "Sitting Still (Poem)," by May Stevens; "Two Prosepoems for Old Women," by May Stevens; "5 Minute Intermission," by Francis Picabia; "The Journal, May 10, 1952," by Saul Baizerman; "Untitled Poem," by Rosemary Castoro; "More Modest," by Jean Dubuffet; "August (Poem)," by Michael Goldberg; "Untitled Poem," by Rosalind Hodgkins; "Card (Inside of Card Shown On Cover)," by Joseph Cornell; "Letter," by Joseph Cornell; "The Automobile Demystified," by Alberto Giacometti; "Experiment (Poem)," by Sari Dienes; "Untitled Poem," by Sari Dienes; "Poem," by Angelo Savelli; "Ants are Any Bodys (Poem)," by David Hare; "Two Turtles (Poem)," by David Hare; "The Black Room, A Theatre Play," by Oyvind Fahlstrom; "Notes on The Art of Painting," by Piero Dorazio; and"On Recorded History (Part 1)," by Roger Welch. ... [details]
Monograph on the work of Christopher D'Arcangelo, edited and with an afterword by Yana Foqué and Isabelle Sully. Contributions by Cathy Weiner, Daniel Buren, Peter Nadin, Janelle Reiring, Jay Sanders, Louise Lawler, and Nicholas Martin. ... [details]
November 1974 issue of Artforum, edited by John Coplans. This is the issue of Artforum that includes the (in)famous Lynda Benglis "dildo photograph" advertisement. Contents include: "Skyscraper Style: Art Deco New York," by Cervin Robinson and Rosemarie Bletter; "John Storrs, Early Sculptor of the Machine Age," by Abraham A. ... [details]
First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E. ... [details]
Single sheet announcement designed by Richard Prince published to promote the issuing the uncorrected proof of his artist's book, "War Pictures," published in conjunction with exhibition held February 23 – March 29, 1980. ... [details]
Compendium of Ruscha's writings and interviews edited and with an introduction by Alexandra Schwartz. Includes interviews between Ruscha and John Coplans, Douglas M. Davis, Christopher Fox, Robert Colacello, David Bourdon, A. ... [details]
Folded exhibition announcement poster published in conjunction with Joseph Kosuth's first solo exhibition held in October 1968.
"Joseph Kosuth, at Gallery 669, in his quest to strip away from his art everything but the idea, has arrived at a series of dictionary definitions of the word NOTHING, executed (not by the artist) photographically, in black 4 by 4 foot panels with white lettering.
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