Spring 1985 issue of October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "Memoir of Hollis Frampton," by Barry Goldensohn; "A Portfolio of Photographs Letters from Framp 1958 - 1968 Erotic Predicaments for Camera," by Hollis Frampton; "Word Pictures: Frampton and Photography," by Christopher Phillips; "The Red and The Green," by Bruce Jenkins; "Interview with Hollis Frampton," by Peter Gidal; "Frampton's Lemma, Zorn's Dilemma," by Allen S. ... [details]
Catalogue from 1985 offering for rental and sale 200 video programs by 85 independent producers of experimental video as well as back issues of Video Data Banks publication "Profile." Artists include Vito Acconci, Chantal Akerman,Max Almy, Laurie Anderson, Carl Andre, Eleanor Antin, Betty Asher, Dore Ashton, Alice Aycock, Myrna Bain, John Baldessari, Jennifer Bartlett, Gregory Battcock, Romare Bearden, Billy Al Bengston, Joseph Beuys, Dara Birnbaum, Louise Bourgeois, Stan Brakhage, Joan Brown, Roger Brown, John Cage, Judy Chicago, Christo, Chuck Close, A. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy," by Annette Michelson; "Cinematographic Views," by Georges Méliès; "A Picturesque Stroll around Clara-Clara," by Yve-Alain Bois; "The Index of the Absent Wound (Monograph on a Stain)," by Georges Didi-Huberman; "Interview with Jonas Mekas," by Scott MacDonald; "On First Hearing about Hermeneutics," by Joseph Rykwert. [details]
Compilation of texts by Hollis Frampton written between 1968 and 1980. "Fictions and the fictions of theory are elaborated and deployed in this discourse upon film and photography seen as projections of "the philosophical toy. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "De Stijl, Its Other Face: Abstraction and Capaphony, or What Was the Matter with Hegel?," by Annette Michelson; "The Judgement Seat of Photography," by Christopher Phillips; "The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic," by Linda Nochlin; "Alienating Alienation: Fredric Jameson's Revisionary Romance," by Perry Meisel; "When Words Fail," by Rosalind Krauss; "Documenta 7: A Dictionary of Received Ideas," by Benjamin H. ... [details]
Summer 1982 special issue of October on Rainer Werner Fassbinder. Edited by Rosalind Krauss and Annette Michelson. Contents include: "In a Year of Thirteen Moons," by Rainer Werner Fassbinder; "Narrative and Sexual Excess," by Robert Burgoyne; "Fassbinder, Franz, Fox, Elvira, Erwin, Armin, and All the Others," by Douglas Crimp; "Bewitched by the Holy Whore," by Tony Pipolo; "Lili Marleen: Fascism and the Film Industry," by Thomas Elsaesser; and "Rainer Werner Fassbinder: A Complete Filmography. ... [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "In the Name of Picasso," by Rosalind Krauss; "The Holy Alliance: Populism and Feminism," by Clara Weyergraf; "Art and Authoritarianism: Walter De Maria's Lightning Field," by John Beardsley; "Figures of Authority, Ciphers of Regression," by Benjamin H. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "An Introduction to the Notebook of Maya Deren, 1947," by Catrina Neiman; "An Exchange of Letters," by Maya Deren and Gregory Bateson; "From the Notebook of 1947," by Maya Deren; "On Reading Deren's Notebook," by Annette Michelson; "Letters from Mexico," by Sergei Eisenstein; "Bayreuth: The Centennial Ring," by Annette Michelson; "Chéreau's Treachery," by Jean-Jacques Nattiez and Pierre Boulez; "A Conversation," by Michel Fano. [details]
Anthology of critical writings on and interviews with Richard Serra. Written and compiled in collaboration with Clara Weyergraf. Contributors include Serra, Liza Bear, Friedrich Teja Bach, Lizzie Borden, Annette Michelson, Bernard Lamarche-Vadel, Douglas Crimp, Julie Brown. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "The Duchamp Defense," by Hubert Damisch; "A Conversation about Glacial Deocy," by Trisha Brown and Yvonne Rainer; "A Portfolio of Photographs of Trisha Brown's Work," by Babette Mangolte; "The Function of the Studio," by Daniel Buren; "Preliminary Notes on the Pragmatic of Works: Daniel Buren," by Jean-François Lyotard; "Richard Serra's Films: An Interview," by Annette Michelson, Richard Serra, and Clara Weyergraf; "Vision in Process," by Birgit Pelzer; "Earthwords," by Craig Owens. [details]