A three-volume, slipcased, exhibition catalogue published in conjunction with show held at Museum Kunst Plast, Düsseldorf, February 14 - May 31, 2004 ; traveled to Kunstmuseum Liechtenstein, Vaduz, June 13 - September 12, 2004 ; Liljevalchs Konsthall, Stockholm, October 2 - January 9, 2005 ; Musée d'Art Contemporain, Lyon, France, January 27 - May 8, 2005. ... [details]
Exhibition catalogue published in conjunction with show held January 26 - April 26, 1992. Edited by Catherine Gudis. Text by Norman M. Klein and Lane Relyea. Artists included are Charles Bukowski, Chris Burden, Michelle T. ... [details]
Exhibition catalogue published in conjunction with show held March 20 - May 13, 1962. Text by John Gordon. Artists included are Josef Albers, Richard Anuszkiewicz, Will Barnet, Karl Benjamin, Ilya Bolotowsky, Paul Brach, Patrick Henry Bruce, Alexander Calder, Chryssa, Ralston Crawford, Nassos Daphnis, Stuart Davis, Deborah de Moulpied, Jose de Rivera, Burgoyne Diller, Arthur G. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
Artists' book / exhibition catalogue published in conjunction with show held at Renaissance Society Gallery at the University of Chicago, May 14 – June 28, 1992; Portikus Frankfurt-am-Main, November - December 1992; Palais des Beaux-Arts, Brussells, February - April 1993 ; Statädtische Galerie im Lenbachhaus, München, May - June 1993. ... [details]
Exhibition catalogue published in conjunction with three exhibitions : Fashion Moda, December 13, 1980 - January 8, 1981. Traveled to Taller Boricua, January 17 - February 5, 1981; Artists Invite Artists, February 14 - March 5, 1981. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
Anthology of writings and artworks previously published by Dick Higgin''s Something Else Press, gathered and edited in 1972 (though unpublished), and presented for the first time here in print in this Primary Information published 2022 edition. ... [details]
Anthology of critical essays by André Breton. Artists, philosophers, and other figures mentioned in the text include André Breton, Corneille Agrippa, Guillaume Apollinaire, Apulee, Louis Aragon, Alexander Archipenko, Hans Arp, Gaston Bachelard, Honoré de Balzac, Hans Bellmer, Bleuler, Umberto Boccioni, Jérôme Bosch, Constantin Brancusi, Georges Braque, Victor Brauner, Bettina Brentano, Jean-Paul Brisset, Charles de Brosses, Robert Browning, Giordano Bruno, Alexander Calder, Leonora Carrington, Blaise Cendrars, Paul Cezanne, Marc Chagall, Giorgio de Chirico, Cimabue, Joseph Cornell, Piero di Cosimo, Georges Courteline, Charles Cros, Salvador Dali, Paul Delvaux, André Derain, Denis Diderot, Oscar Dominquez, Enrico Donati, Isidore Ducasse, Marcel Duchamp, Raymond Duchamp-Villon, Eckhardt, Albert Einstein, Paul Eluard, Max Ernst, Serge Essenine, Joachim de Flore, Théodore Flournoy, Jean Fouquet, Charles Fourier, Esteban Frances, James George Frazer, Sigmund Freud, von der Gabelentz, Alberto Giacometti, Giotto, Goethe, Arshile Gorky, Mathias Grunewald, Gutenberg, David Hare, S. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]