Issue edited by Ingrid Sischy. Essays "Alexis Smith R Tist: Cliché Verité," by Hunter Drohojowska; "Inside the Tomato Jungle: André Masson on Greek Ideas, French Painting, and American Prodigies. A Conversation," by Demosthenes Davvetas; "The Mausberg Collection: A Project for Artforum," by Reinhard Mucha; "Things That Go Bump: At Documenta 8, Curators with Causes. ... [details]
Issue edited by Ingrid Sischy. Essays "Museum Piece: The Solomon R. Guggenheim Museum and Whitney Museum of American Art Additions. Round Two," by Joseph Giovannini; "A Canvas of Episodes: A Test. A Sentence. ... [details]
September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: A Park Grows in Paris. bernard Tschumi's La Villette Project"; "Modern Life: After the Loss of Challenger, the Cost of Instant Replay," by Carter Ratcliff; "Like Art: Surrealism with Everything on it," by Glenn O'Brien; "Turned Out: The Return of an Endangered Species - the Artist's Model," by William Wilson; "Ground Up: The Picturesque of the Urbanesque," by Herbert Muschamp; "The Cave: German Film's Archaeology of the Present Past," by Wolfram Schutte; "Speaker to Speaker: Blowing in the Wind or Facing Into It, Writing a Song or Crafting a Career - For Example, Bob Dylan," by Greil Marcus; "Building a Passage: Reflections on the Vision of Gae Aulenti," by Vittorio Gregotti; "The Imagination in Sheep's Clothing: Francois Boucher Delivered from the Guillotine of Taste, and 'Living Fragonardishly' Today," by Lisa Liebmann; "Courbet the Moon, Van Gogh the Wind: Glimpses of the Sound in a Seashell, Project for Artforum," by Pat Steir; "Through the Narrative Portal: Our Stake in the Plot Thickens," by Max Kozloff; "Wrestling the Image into Shape: Rebecca Howland's Vulture-Culture Sculpture," by Carlo McCormick; "Mel Bochner: Point to Point, the Thought of Emotion, The Feel of Thinking," by Jan Van Der Marck. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Inventing Pangaea, Jon's and Ginzel's Whole-earth Recipe"; "Ground Up," by Herbert Muschamp; "Like Art: The Star-spangled Pitch," by Glenn O'Brien; "The Cave: Local Technicolor," by Wolfram Schutte; "Object: Abracadabra, The Magic Space of Supple Geometry," by Seigow Matsuoka; "Slant: On Success and Pittsburgh's 1985 Carnegie International," by Donald Kuspit; "Modern Life: The Manet Tapes and More Recent Dupes," by Carter Ratcliff; "Speaker to Speaker: The Clash find the Sound of Silence, Plus the 1985 Top Ten," by Greil Marcus; "Ask Not What: The Kennedys, the Camera, and Us," by Thomas McEvilley; "Earth Angles: Michael Heizer's Sculpture at Buffalo Rock, A New Species of Life for Trampled Soil," by Klaus Kertess; "Blinky Palermo: Abstract Medicine for the Senses," by Donald Kuspit; "The Stridentists: Excavating a Forgotten Avant-garde; the Revolutionary Forebears of Mexico's Muralists," by Serge Fauchereau; "Hungary by Heart: A Trip with André Kertész," by Sylvia Plachy; "Project for Artforum: Two Moods," by Sylvia Plimack Mangold. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
