Contains Weschler on the graphic of the Polish Solidarity movement, O'Brien on "Bop Art" and the iconography of rock-and-roll, centerfold by Andy Warhol with portrait of Warhol by Makos, and a special clear vinyl flexi-disk insert by Laurie Anderson titled "let X=X. ... [details]
Issue edited by Ingrid Sischy. Essays "Projects" by William Wegman, Jenny Holzer, Peter Nadin, Art & Language, Gilbert & George, Judy Rifka, Ed Ruscha ; "Seeing Between the Pages," by Ronny Cohen ; "Art Magazines and Magazine Art," by Clive Phillpot ; "Projects," by Kim MacConnel, Heresies, Victor Burgin, Laurie Anderson, Michelle Stuart, Anne and Patrick Poirier, Just Another Asshole, Richard Long, Joseph Beuys, Dan Graham ; "Copy," by Edit deAk. ... [details]
Issue edited by Ingrid Sischy. Essays "A Letter to Peder Bonnier from Lucio Pozzi"; "'Some Place Enormously Moveable' - The Collaboration of Arakawa and Madeline H. Gins," by Robert Creeley; "Long Walks," by Nancy Foote; "Malcolm Morley: Talking About Seeing," by Klaus Kertess; "Suzanne Harris: The Energy of Time," by Ted Castle; "In the Streets of China," by Joel Meyerowitz; "Working n the Streets of Shanghai and Guilin," by Charles Simonds; "The Ten Frustrations, or, Waving and Smiling Across the Great Cultural Abyss," by Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Energism: An Attitude," by Ronny H. Cohen; "Picasso: The Surrealist Realist, Excerpts from a Coversation between Roland Penrose and Dominique Bozo"; "Passive Action/Active Passion," by Conrad Atkinson; "Independent Video: The First Fifteen Years," by Barbara London; "A Chronology of Video Activity in the United States: 1965-1980," by Barbara London with Lorraine Zippay; "Random Access Information," by Nam June Paik; "Breaking the Silence: The Spectator as Speaker," by Kenneth Baker; "St. ... [details]
Issue edited by Ingrid Sischy. Essays "The Perils of Hindsight," by John Bernard Myers; "Gust, Gusto, Guston," by Carrie Rickey; "From the Series 'Outside the White House,'" by Rosalind Solomon; "Terry Allen (On Everything)," by Marcia Tucker; "Sex and Death and Shock and Schlock: A Long Review of The Times Square Show," by Anne Ominous; "Autochromes: The Bouquet of Lighted Air," by Max Kozloff; "Civil War: Artist Contra Critic," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "A Chameleon in a State of Grace: Francesco Clemente," by Edit deAk; "American Abstract Sensationalism," by J. Hoberman; "STRIKE," a project by Jonathan Borofsky; "The Works and Writings of Daniel Buren: An Introduction to the Philosophy of Contemporary Art," by Jean-François Lyotard; "Smithson's Site/Non-Site: New York City Walk," by Amy Baker; "Scandal's Witnesses: Grafting Smithson on Bataille," by Nicolas Calas; "Books," by Parker Hodges, Joseph Masheck, Artforum; "Reviews by J. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. ... [details]